lunedì 14 novembre 2016

Alles für den Laden!

my goal to cross the ocean evaporaded like the morning mist.  i was lying on a forest floor in france when i realised that i didn't want any more of my life to pass without seeing jenny again.  she was going to come to germany then she stayed in the cave and it was me who went to the cave.  the ferry from huelva arrived in santa cruz de tenerife in the middle of the night.  a young man i met on the ferry gave me a lift to the south and from there i continued walking through the night, getting to the cave just after the sun came up - so happy to see the coast again and the volcanic rocks and the cacti.  jenny was sleeping on the matress inside. she didn't even stir when i came through the cave door, nor did her dog chiqui give a cheep - although it had been coming on two years since i was last here.  i lay on the bed next to her and smiled at her sleeping face for a while then she opened her eyes slowly and saw my eyes and both of us smiled together it was so romantic.  the paradise of living in the cave again takes us often by surprise.  how can what otherwise would be described as a dreamworld actually be our reality?  i wanted to paint welcome to paradise outside the cave, but haven't got round to it, having recommenced the painting of the interior of the cave, and all the endless ideas we have for erecting a big bamboo cane roof over the patio and raising the kitchen roof and perhaps even setting up a little coffee or pancake stand at the side of the rocky barranco where the path goes by and there is a good view of the bay and the sea.   day by day we see more and more coastal hikers passing by and often they stop there to admire the view and take a photo.  we think some have even called "coffee?" to us down at the cave. julian - our neighbour who constructed a palm leaf dwelling up the hill from us - was very enthusiastic about our little shop idea.  for a while "alles für den laden!" became our catchy phrase whenever in the nearby village el puertito we found nice cushions and a sunshade being thrown out or had any idea pertaining to the laden.  i even wrote "alles für den laden!" on our chalkboard, which previously bore philosophical slogans of jenifer's like "es ist wie es ist" or "Jeder Jeck ist anders" i realised that alles für den laden had come to mean for us something like "Alles für das Leben!"  a resounding cry of enthusiasm for everything that we did or dreamed about doing.

paradise is in the head - jenifer knows that as much as i do.
we are doing our best.  we are still talking about getting hens sometime - getting real young ones and letting them get used to our voices and then they'll come to us when we call.





venerdì 15 luglio 2016

"its my father's voice dreaming of sailors sailing off in the morning" (in the words of jeff tweedy)

i don't make a habit of openly critiquing the behavioural style of others but when the bearded burly gent from the kentish yacht club didn't stop reeling out his string of invective against poor fercho, i had to protest: "be patient with him! okay so he is young he is incompetent but not everyone can be a hero.  he is who he is.  he can't help being who he is.  the same way that a rabbit can't help being a rabbit.  why torment yourself by lampooning a rabbit for being what he can't help being?"

"are you saying he is a rabbit?"

"well maybe he is!" i blurted out unthinkingly.

"Life is short" i said  "why spend it being grouchy when you could be happy instead?"

"ah, i don't want any of your life philosophy" he retorted and i saw that it was true.

i see that the advice i might be tempted to offer others is the same as the advice i want to give myself.

later as i was painting the keel he came over and offered me a reconciliatory cigarette, which touched me.  everything happens for a reason, and there is no string of invective without its causal tripwire.  what i hadn't fully appreciated was that fercho had made everyone at the little village yacht club thoroughly fed up, and all they wanted was to see the back of him.  "first he told us he would just stay the summer  - that was three years ago.  for three years his bloody boat has been standing on the yard.  so many times he has told us he will be ready - and he always postpones.  he is a joker and a liar!"

that afternoon there was an extra specially high tide and if fercho didn't get his deep-keeled yacht into the sea that day then he risked being stranded at the yacht club for yet another summer.  something none of them wanted.  fercho still hadn't finished fixing the engine.  all his tools were scattered around at the back of the yard, all rusty from having stayed out in the rain.  "i can't work under stress" he says, "once we have the boat moored we can row the dinghy back tomorrow on the next high tide and i will finish the engine then"  why had we spent the whole of yesterday sitting around drinking tea, when i first arrived, i asked myself, when he could have been working on the engine then?  i applied the finishing touches of shiny silver protective paint to the keel and we climbed on board as the tide rose and lapped her sides.   standing on deck with fercho i was very aware of our incompetence.  at all costs they wanted us out on the water that afternoon.  there was a little breeze but fercho said he didn't feel confident enough to hoist up his sails and micronavigate between the numerous other moored boats.  without an engine, our only recourse was to ask the headman of the yacht club - who was also a policeman, fercho told me - to tow us out in his little motorised raft.  no-one spoke.  it felt like we were naughty children, being relegated out to the doghouse.   i was at the tiller.  the boat slid through the calm sheet of medway which sparkled in the sun.  i felt the deep appeal of living on the water, bobbing up and down and being always surrounded by the maritime natural scene - the tides, the birds, the untamed stretches of coast.  but i knew this wasn't my trip, with fercho.  he displayed a surprising unawareness of just how put out everyone was with him.  "you know, these men at the yacht club, they are a bit strange.  they are from the village.  they are not very open".  fercho told me fercho was a nickname for fernando.  i wonder why he bought that yacht.  maybe it provided a romantic place for him to live.  he eventually told me he didn't have a sailing licence to cross foreign waters.  " i thought maybe i would forge one," he said with a slow grin, "or do the exam somewhere along the way."  he had published a announcement on crewbay.com saying he intended to cross from kent to france, spain, the canary islands, and eventually back to venezuela, his homeland, and he was looking for deckhands.  i immediately responded: Yes! and came to meet him and then realised it was a hoax.  "gracias man, for your help" he said with real feeling.  "the keel would never have got painted without you.  i think you were meant to come and help me out"

the reason for my meeting him?  yes i suppose he is right.  sailing with him was anyway no longer what i wanted to do.  it sounds so romantic - to find someone and help to sail their yacht across the atlantic ocean - but a big part of it would be the intimate cohabitation with all on board.  les autres pourraient être l'enfer.  my interest in crossing the pond by sail had been rekindled by meeting a super enthusiastic kiwi traveller at the portuguese rainbow who had crossed the seas all the way from his homeland to europe.  "oh men we had the most awesome time . . ." maybe i will just book an aeroplane.  it is what everyone else does . . . i don't know though . . . no, it has got no style.  isbrand says there are cruises that leave spain and take thirteen days to cross to brasil, and that often cheap tickets are made available at the end of summer.

in the meantime it didn't take long for my thoughts to turn to france.  i elegantly painted a piece of cardboard with the word france and stood next to the roundabout by the dover ferry terminal.   a ticket would have cost forty pounds but i wanted to see what my thumb might bring.  a minute later anoushka's delivery van pulled in.  "you're from scotland? me too" she said with an australian accent.  she lived in glasgow till she was ten.  she told me with a smile that her name drew inspiration from a russian porn star that her mother watched in order to make her birth easier.  "this is your lucky ride" said anouska, "deliver drivers get a free meal - and i got two tickets" right from the off it was effortless to slide into anoushka's company.  communication passed through social critiques from her part, then a comment from me got us on to contemplating the mystery of the universe.  she was an actor.  she was a personality explorer.  she recited, and later copied down in my little book a poem she wrote when she was eleven entitled the game of life, which later won a poetry competition in australia and USA:

the world's an illusion
nothing is real
life fills out minds with confusion
no-one can accept how they feel

to play the game
we fit into what seems right
not to be looked upon with shame
and cast out into the night

don't go with the crowd
or you'll live in remorse
stand up and shout aloud
"i am who i am, God made me of course!"

so live life as best as you can
be to thyself honest and true
stand up to your fellow man
and just be you


i later saw that communication between her and her husband victor at times took the form of sarcastic remarks and mock insults but with me she soon jumped into my game of wanting to analyse everything.  what actually is the flavour of banana?   how would you describe it to someone? she asks as she hands me a nicely brown speckled specimen from her dashboard.  "it is impossible to describe" i say after some humming "it is unique.  the only way to know it is to experience it.  i think also, the banana taste is inseparable from the whole banana experience.  its yellow, its curvy, its soft, it goes gooey in the mouth.  it is possible to isolate the banana taste and put it into, do you know those little banana sweets? they try to replicate the form, but the taste . . . its not the same, is it? you need the gooey texture.  you can make quite an authentic banana milkshake, by making it a milky liquid thing, yes.   yes yes.   then i spent a week looking after anoushka and victor's house, looking after i could say, while they were at work delivering things to different destinations in france and the uk.  it worked out so well for me because at that time it did not stop raining for day upon day the rain the rain it fell it fell i read books and took long runs in the burgandy countryside with baloo the black and white dog who loved to run beside me with lolling tongue panting giving me his his faithful doggy devotion smile we loved to run together.  baloo gave me inspiration.  i said: if baloo can make his lithe little body move so fast maybe i can do the same with panting me.

anoushka showed me the iceman documentary.  after watching it i said: i will recommend this to all my friends, something i still haven't done. . .

https://www.youtube.com/watch?v=VaMjhwFE1Zw

the ice man takes an extreme position.  therein lies his capacity to inspire.  i would say it is the minority of people who find themselves drawn to push the limits of their body, but nevertheless, through the iceman's extreme example, his message rings out loud and clear: where there is a will there is a way.  believe in yourself.  dare to dream to unleash your power within.  you are stronger than you may think.
those are the sort of things that the iceman says to me.


other things anoushka got me into were alfred hitchcock films and possibly her favourite all time film harry and maude and jeanette winterson's wonderful autobiographical novel oranges are not the only fruit, written in 1984.  this novel is important for anoushka because she can identify with certain aspects of jeanette's upbringing - a psychotic mother who beats religious austerity into her and offers no real love or opportunity for self-exploration.  jeanette's voice is wise is lively is humorous and miraculously contains no trace of rancour while she retells the unhappiness that was her childhood.  i wanted to hear her northern english accent and came across this BBC radio 4 bookclub interview: http://www.bbc.co.uk/programmes/b00rqlc4

i especially liked it when she said:
you know i have never understood this thing:  the fight now between faith and secularism.  the problem is about fundamentalism, not faith

(someone from audience then asks whether she has lost her intensity of love along with her faith in god)  she says

life is intense and you have to live it at full pelt and wring every drop out of it and not mind making a fool of yourself.  you know, its not cool to be cynical - it is cynical to be cynical;  what i've refound is that energy of life.  i don't know whether god exists and to me that's not the question.  what interests me is that human beings have always needed god to exist;  its our psyche which to me is the exciting part, not whether we can prove it


anoushka's lorry-driving irish-now-living-in-holland friend took me south with him one day.  he was making a delivery in a small village in south burgandy.  it was still pouring with rain, but the forecast promised sun soon.  coincidence! his route went right past taizé monestary.  i hadn't been there for a couple of yearsfor a while my travels in france always included a visit to taizé.  it is an important place for me.  my body is humming with excited peace as the church bells send their resonant gongs across the wet fields i feel shivers as we are singing.  shivers of excitement and awesome wonder and immense well-beingmy heart throbs fully in tune with the simplicity of the faith filled words:  let all who are thirsty come, let all who wish receive, the water of life freely . . . and . . . meine hoffnung, meine freude, meine stärke, mein licht. christus meine zuversicht, auf dich vertrau ich und fürcht mich nicht, auf dich vertrau ich und fürcht mich nicht . . . is it just me or is the energy in this church highly stimulating, highly holy?  as soon as the monks leave there is a troop of young people making for the doors and the sunshine outside.  i stay sitting, my eyes wet with emotion.  maybe it is just psychosomatic me.

in the evening some of the monks stand in different parts of the church, ready to talk with anyone.  i hadn't yet had anything to say or ask but i was really curious and, in a low voice, "do you know why there are soldiers with guns standing outside the church and people searching our bags as we enter?"  it is a precautionary measure. it is the french government who oblige it in places where lots of people are gathered, like train stations . .  "ah, i am relieved to know that.  i was sitting thinking maybe a threat had been made specifically to taizé.  i was sitting there thinking, what happens if somebody does pull out a gun and start shooting people?  i don't want to die! but the song lyrics are precisely all about strengthening faith in the face of uncertainty.  what a wonderful feeling to be full of faith and let come what may"

the thought that i could die in the very next few minutes suddenly had filled me with unreasonable Joy.  in a symbolic sense i will die within the next few minutes. it doesn't change the incredible fact that i am alive now - we are all alive now - and that is all that counts.  cue pink floyd:

i am not frightened of dying.  any time will do. i don't mind.  why should i be frightened of dying? there's no reason for it.  you've got to go sometime . . .

oh ho ah hoo heyey ahoo hooo oh-ho oh-ho oh-ho . . .


i followed the breathtakingly beautiful roads through the alps into italy, where there was a small healing rainbow gathering camped on a little meadow on the steep forested slopes overlooking the susa valley.  it was a small gentle gathering, with only fifteen or so people.  there was angela from leipzig who with her young daughter led us around the beautiful flower filled meadow identifying all the edible plants which we then collected and used in our salads.  there was a charming young italian couple, with their young son, who gave a workshop on voice massaging - cupping the hand against the other's back and allowing deep calm voice vibrations to resonate through their inner cavities.  massaging one's inner organs with one's voice!   a marvellous sensation.  i got up early one morning with the urge to explore and walked up and up and up through the woods and found rocciamelone, a 3,500m peak easily accessible by a path winding through the dazzling beauty of the deep blue purple yellow rose flowered meadows, then nothing but rocks and delicate-hardy lichens, and at the very top the refuge was barely visible under a huge block of hard snow, melting all the time, sending shoots of ice water onto the rocks steep below.  on the other side stretched high eternal snow fields and vast views encompassing far off switzerland and france and their pristine peaks of rock and ice. there were even butterflies fluttering and being buffeted by the wind around the summit.   from the very summit presided a queenly berobed statue of la madonna della neve, erected in 1899.   the mountain has long been a place of pilgrimage.  in the thirteenth century, one of the piemontese feudal lords, in the midst of ongoing invasions from the turks, made a pleaful prayer deal with the virgin mary while in captivity, that if she helped his release then he would have a chapel built and dedicated to her at the top of rocciamelone, which she did, and which he did.  for a long time it was considered the highest peak in the alps, standing as it does alone, 3000m above its valley val di susa, and very conspicuous to the pilgrims to rome following the via francigena.  the clouds rolled in and i did not want to descend.  i was in heaven i was in the sky i was above the clouds and could watch them slowly forming, growing, metamorphosing, mesmerising, rising falling ghost fluffy insubstantial mystical ships floating on their own fluffy sea.

back at the camp i had already begun feeling it was time to move on when an elderly warrior woman who said she came from the ural mountains but had spent many years in hawaii and was now travelling in europe.  suddenly the hitherto gentle energy of the camp became sparky hairs on end.  in the morning i offered her some maté heated over the fire.  "how much did you heat the water?  you let it boil!  anything that boils is dead.  boiled water is dead water.  you have never heard that?  well, you'll know for next time," she said with a strained wide smile.
all my things were packed when her voice rang out from the main fire: "who wants to hear about raw food?  i propose a talking circle to share our experiences of the benefits of eating raw food.  you are going already?" she looked to me, "what's the hurry, you can stay for a little bit longer to hear about raw food.  maybe, like not boiling water, there are things you should know . . ." after a certain amount of attempted persuading and polite refusing, i was down on my knees, having hugged her (for such is the rainbow way,) i had given goodbye hugs to everyone else.  she was still valliantly, stubbornly insisting when suddenly her eyes widened and she hissed at me almost with desperation "this is important for you, you need to know this!"
i could have told her (as i later reflected): no! rainbow is the place for accepting and celebrating each other's freedom - always in respect - not for looking for converts to your militarily held beliefs.  instead of saying this, i slumped to the ground in a show of theatrical suffering, burying my face in my arm, shedding crocodile tears of self-pity, before shouldering my rucksack and skipping valley downwards to susa.

i took the train up the aosta valley towards switzerland and fell into conversation with the middle-aged young gent seated next to me.  he wanted to know the purpose of my travel.  meeting people, exploration?  he also hitchhiked all over europe in his youth.  his eyes went far away as he slowly explored a land of memories he hadn't entered for some time.  "are you a believer?" he put to me when we had become sufficiently acquainted.

"do i adhere to the beliefs of institutionalised religion?" i elaborated his question, "no"

"me neither" he said

"i believe in life" i said, "i heard that the ancient egyptians made a god of the sun.  lately i have been siding with the old egyptians, beaming my praise and gratitude up to the beautiful benign fiery orb.  thank you sun, o i love you sun, o what would i do without you? you are my sunshine, you are my All, you are everything to me, i adore you, you are the source of life.  with you i am well pleased."

not only the sun - said francesco -  but also water and minerals form the foundations of life.  even the meteorites are necessary.  just think: if it wasn't for the meteorite that exterminated the dinosaurs, they would probably still be the top of the food chain.  how long have humans been around?  forty thousand years? i don't know.  the dinosaurs were the dominant species of the planet for over a hundred million years.

"very successful survivors"

- yes, until the meteorite came.  and what are we humans?  insignificant.

completely insignificant, he emphasised with a negligent shrug of his shoulders.

insignificant, i mused,
this is the paradox of our lives - we may be aware of our ultimate insignificance, and yet for the time we are alive it is of such fundamental importance for us to us ensure our physical, mental and emotional well-being.  it is quite understandable that humans have invented the idea of a god in whose eyes every one of us is eternally precious.

"buona esplorazione" insignificant francesco said shaking my hand warmly before getting off at the next stop.





written with the kind permission of the use of mathias' laptop, ulm

domenica 5 giugno 2016

o ye believers

as i was leaving the rainbow isbrand told me that somebody had left a book about philosophy and that it was in french and - knowing that such a book would probably interest me - he had put it aside for me.  it was a hardback edition of bertrand russell's essaies sceptiques, beautifully bound; the precisely printed black ink looked at me meaningfully from tenderly textured beige pages. i felt privileged to carry such a beauty of a book among my humble possessions.  i often read it by the light of a fire at night as i travelled back to france.  it often made my desire to sleep disappear.

it was interesting to become acquainted with a real sceptical stance.  russell says that so many human beliefs conflict and indeed lead to conflict and so often they do not even stem from any sound line of reasoning.  a belief, plucked from the ether (inherited from forebears), furnishing people with a familiar way to grasp reality, held by them obstinately, unquestioningly.  better to question everything, says russell.  and only affirm that which fully satisfies our rational minds.  in russell's own words (published in 1928):

I wish to propose a doctrine which may, I fear, appear wildly paradoxical and subversive. The doctrine in question is this: that it is undesirable to believe a proposition when there is no ground whatever for supposing it true. I must, of course, admit that if such an opinion became common it would completely transform our social life and our political system.



later russell writes:


The opinions that are held with passion are always those for which no good ground exists; indeed the passion is the measure of the holder's lack of rational conviction. Opinions in politics and religion are almost always held passionately.


suspend judgement, ye believers!

i was just about to leave the toilet hallway in the public library in perpignan when a petite african lady wearing a jaunty hat and wide white eyes walked in.  "mais vous dominez" she instantly says with admiration.  i stand there taking her in, thinking "what does she mean, i dominate?"  she explains: "vous êtes grand"   it is funny to stand there - me in all my tallness - next to this little lady from togo and benin who, encouraged by my interested eyes and nods, soon slides into what i learn to be her favourite topic - God.  man, she is so happy to be talking with me about God.  she is aflame with the spirit of God.  the divine flame animates her irrepressibly.   she would burst out in wild laughter if i encouraged her - and at times we do emit joyful chuckles . . . the Mystery of God, the Magnificence of God, it is all so magnificent.  i am her mirror.  i am bertrand russell, retaining my inner gaze of scepticism.  God, how to explain all this phenomena?  God is the answer.  the undeniable unavoidable Source and ultimate Aim of All.  other library users cautiously pass us in the narrow hallway, enter either the male or the female toilets, come out and wash their hands while my african flame of enthusiasm and i are standing there talking about God.  after a while adelaide (so she is called, "like the australian city") uses the toilet herself, then we take a seat outside by a table and continue to talk.  she continues to talk.  she pours her God enthusiasm all over me.   i feed her with my wordless rapt attention.  the stories tumble out: once in the middle of the train station in perpignan - "en plein gare!" - i got down on my knees, filled with the light of God . . . incredible things happen to me, you would not believe . . .  in the middle of the night i could not sleep.  i just have to get up and dance, "Dieu est vivante!" i am so glad that God has given us this . .. bizarre encounter here in the library . . . and i can see that you are very interested, writing down the things that i say.  
on a piece of paper next to her phone number my pen slyly scribes the occasional phrase that catches my attention:

danser à Dieu
chanter à Dieu
qu'il fasse de moi ce qu'il veut
je suis détachée . . . 
mon époux c'est Jesu,
c'est lui mon manger
c'est lui ma soif
je suis fou d'amour pour lui

she says that God is constantly orchestrating incredible encounters for her, events that could not 'just happen', like when her dearly beloved neighbour fell ill and then one day disappeared and for so long o she yearned to see her again just to hug her . . . "just to hug her once more before she went. . ." desperation for days then one day she sees a woman on the street - "i had never seen her before " she underscores - yet she feels somehow compelled to approach her.  immediately this woman rings another friend and passes the phone to adelaide, who hears these simple words:


"je viens a votre rencontre"

and this friend of the woman - who she had never met before - takes her to a hospital where her friend is lying and they are able to embrace each other.  the friend has not been responding for days but now they are both crying with tears of joy, with tears of joy.  


i tell her a bit about my life - sleeping out in the woods, etc.  she says "i am like you.  i have nothing, nothing.  my house is filled with books about God which i am collecting to take back to africa, so that the children there can learn about God"  
God, it is getting rather one-themed for me.  i tell adelaide that i have to be getting on.  i will travel to ireland to attend my cousin's wedding.  "ah, marriage is so important for God.  she writes down the names of my cousin and her betrothed "nadine and haydn" and the date of their marriage "28th may" and she will pray for them on that day, pray that God bless their marriage and make their lives happy and give them many children.


mercoledì 4 maggio 2016

portugal

"ecstatic wonder is the natural state of mankind.  we should not settle for anything less"


a calilfornian university magazine from the sixties



"oui, ça me derange que tu manges avec tes mains" exclaimed claude across his table, and an undercurrent of tension between us became manifest.  "wow i gotta get outta here" i silently exhaled.  he later apologised for his exclamation.  we actually mostly got along famously.  claude shared with me his penchant for finishing a meal with red wine and dark chocolate.  every evening was film time chez claude.  on sunday night we watched "sept ans en tibet" which i had already seen before, and claude too, but that didn't matter it was still a great film.  when on saturday i announced my intention to hit the road again claud said "tu veux pas rester encore un jour?  il y a l'enterrement de ma belle-soeur lundi, et ça me fera du bien d'avoir ta compagnie.  tu peux quand meme rester encore un jour, non?"   of course i was free to stay another day if i wanted to if he wanted me to but all truth be told i didn't really really want to.  in the end i stayed and gave smiling comments of slightly forced politeness and as we were beginning the evening meal i asked "ça te derange si je mange avec les mains?" et voilà sa réponse.

claude is in his late sixties yet his hands have began trembling involuntarily.  he really really wants to be with a woman and bemoans his solitude.  he is a talented abstract painter - one of the rooms of his house is filled with intriguing tableaux - but cannot sell his paintings.  he knows how to paint but he doesn't know how to sell.  last summer his watery shining eyes met mine as i was looking at one of his paintings at an exhibition in the library in prades. "ça te plaît?" he came up behind me "oui. beaucoup" i said, and, liking his emotional honesty, i came back to his place for lunch.  he has gone from his almost life-long roman catholicism to experiment with meditation and psychotherapy and alternative healing but none of these techniques make him really aware that he is the one who may be in charge of his bonheur o why is a simple joie de vivre so difficult for some?  he assures me that my loving parents are a huge blessing in my life.  o if only he hadn't had a mother who was caring yes in her own way but who was so overprotective, he would have loved to have traveled around as i do.

rain was forecast so instead of immediately continuing hithchiking to portugal i walked into the pyrenees to a ramshackle wooden refuge hidden in the trackless pinewoods next to a crashing mountain stream.   claude and i came across this refuge last summer after following la gorge de carança - a spectacular ravine winding up into the mountains, made accessible by rope bridges swinging across the river and metal walkways drilled into the rockface.  now in april i walk up in my trainers and am surprised to find quite a lot of snow on the last few kilometres leading to the refuge.  the next day i wake to abundant falling snow which does not stop for two days.  everywhere becomes covered by a knee-deep blanket of snow.  also the pine trees become covered by a luxuriant snowy mantle.  it feels incongruent to find myself in the snowy heart of the pyrenees, at 2,000m, in my trainers.  i keep the fire burning, and wade out with the saw to bring back dead branches, and then sit in front of the fire watching how my wet trousers release a continuous stream of wet steam.

my hitchhiking progress flows smoothly from one open curious french encounter to the next, but slows down considerably as soon as i enter spain.  generalisations of course hide the rich diversity of reality but among the french i find a certain tendency towards openness, exploration, encountering of the other, intellectual curiosity, whereas among the spanish (this comment is perhaps largely fueled by the experience of the hitchhiker) i see timidity.  they tend to stay within what is already familiar, known, tried, tested.  less exploration, less curiosity.  that said, for my first night in spain i received wonderful hospitality.  i entered spain in a fruit delivery van driven by two israelis whose country of origin was of no importance.  they were now living in spain, in a community which occupied in its own geographical space, called doce tribus - twelve tribes - with about a hundred members, quite a few of whom were from spain but not all.  talmid had a black beard and simple shining dark eyes.  his taller younger companion had long blonde hair and similar shining joyous eyes.  they pulled in at the motorway exit where they had agreed to let me off.  "today is shabbat in our community"  they shone  "we have a big meal and dance and play music.  we would be very happy if you wanted to share it with us"  of course i couldn't refuse.  they genuinely were very happy to have me as their guest.  i think they would have been very happy if i had decided to stay there for the rest of my life.  everyone was so happy to see me.   anyone i met for the first time (there were, as i say, approaching a hundred of them) would stop and beam to me a smile of pure and simple contentedness and ask me what my name was and tell me i was very welcome.  it was heart-warming to meet people who felt so clearly at home there, and who loved their home.  i listened to a few of their stories.  a common theme among them was the feeling of always having searched for something, a place to belong to, a people to belong to, and finally to have found it on arriving at doce tribus.  they were quasi-religious in that they obeyed no religious creed, but they did recognise yeshua (jesus) as The Teacher and the gospels as sacred (but not the growth and subsequent direction of the church.)  it is clear to them that God has created humans with the intention that they live in community, living together harmoniously, loving one another, sharing everything.  they consider that in doce tribus, they are fulfilling God's intention for mankind.  in the morning they sit on chairs in a circle in the main hall and have a free time of sharing whatever they feel they have learned.  many of the contributions focused on the importance of the abnegation of the self - forget about yourself - give yourself to others, be humble, be very humble, love one another.  any thing that interfered with this self-abnegation was referred to as leaven.  leaven was used like a codeword for sin.  i picked up this point with someone.  can the metaphor of leaven not also be seen as a good thing in that it gives elevation to the bread dough, gives the bread an airy tasty texture?
leaven is seen as something bad in that it provokes separation between the particles, i was told.

what about alone time?
i confessed to talmid that i liked to spend time alone, that for me it was important sometimes to do exactly as i wished, and to take a break from thinking about other people's wishes.  talmid gently insinuated that this was a valid temptation, but that it should actually be overcome, in order that God's intention for human living be fulfilled, and there be no leaven in the bread, and that our self-abnegation create complete and loving group harmony.

i was happy to see, from my brief but rich contact with that branch of twelve tribes, to what extent they seemed to achieve that.

after four days - much waiting - on the spanish roads, i finally get to the border with portugal at vilar formoso.  after hitching and waiting for a further couple of hours in the wind and the rain i say "okay, i may until now have cherished the hope that passing motorists stop and pick up strangers with outstretched thumbs at side of road, but it is clearly not happening here.  one's expectations about the world must adapt to changing circumstances.  if nobody is stopping, i will walk.  it is only a hunderd kilometres now to the rainbow gathering.   it will take me but a few days"

my waiting game is transformed into a purposeful striding through the beautiful deserted portuguese countryside.  i don't know exactly where i am going and i like this.  having a detailed map, a clear idea of what lies ahead, is comforting but at the same time it detracts from the sensation of pure discovery.  i will try a field here.  it becomes overgrown and full of thorny brambles.  never mind, i come across a curious winding path which winds for miles beneath old oak boughs, old mossy stones surround me, not a soul in sight.  night comes and i sleep wonderfully comfortably atop a pile of hay, covered by a tin roof, preciously useful when a rain shower sweeps through the night.  the frisky young calves gather round ceremoniously and all of us look at each other with curiosity.

the next day it comes as a slight surprise to enter a village actually inhabited by people.  a young englishman responds to my "sabes como se chama esta aldeia?" with "eh, english, français?" then his father len strides out with a wide natural smile.  they are in the process of fixing their washing machine.  we talk about traveling days and the deserted portuguese countryside, abundant abandoned properties, sold very cheaply.  len bought this house two years ago and after renovation plans to live here half the year.  len is retired now but he still occassionally plays in a rock and roll band . . . "you never retire from rock and roll," he smiles.  he calls "bom dia!" and exchanges friendly words with the old men who amble past.  he invites me for a good earl grey with milk then a good english breakfast of fried eggs on toast.  his son nick has come out for a couple weeks rest after a minor burnout after years of work work work in england, earning plenty money but now not knowing where his life should go.  i tell him about the vision of the simplicity of being at the rainbow gathering.  simply being in the moment.  being in nature.   celebrating the simplicity of being.  eating food together in a circle and singing and playing music and gathering round the fire at night. 

i last saw portuguese sara three years ago in a hare krishna temple in india.  now the big brown eyes of her baby sol look into mine, rapt in intelligent baby contemplation.   of course for a baby when faced with another human, the most interesting thing to look at is the eyes.  i return his gaze.  then i look up at man sitting nearby with infinite calm ocean sky blue eyes and we hold our gaze for a time.  i tell him of what i have just thought of course for a baby the most interesting thing is the eyes and he tells me about a workshop he did once consisting of looking into a partner's eyes for a long time then writing down something of what you felt they communicated.  "lets organise such a workshop here" i suggest "i am sure lots of people would be interested"   he agrees it is a good idea, "we could do it first ourselves" after that whenever we met we look long into each other's eyes, but in the end we never get round to organising any workshop.  he has a young baby too, on whom more often than not he needs to keep his eye.  in any case i think including words into the eye communication equation is extraneous. beside the point. meddling. 

when i arrive at the rainbow it is raining. people tell me it has already been raining for two weeks, the rain maybe letting up for a cloudy day only to commence again the next day.   i am soaked and creep among the nearby abandoned houses.  they are constructed with solid granite blocks but many rooves have caved in.  i find one with a dry space upstairs although some of the floorboards are rotten and i always move about with gentle caution.  i light a fire on the stone shelf beneath the open window and watch all the steam magically emanating from my sodden clothes.  "abril, aguas mil" people tell me is a portuguese maxim indicating that it often rains in april, but this april is an unusually rainy one.  i revel in the dry shelter of this old house and sleep and rest from my wandering and watch and listen to the rain falling outside and marvel at the high spirits of the hippies who gather beneath the tarpaulin of the kitchen down on the sodden meadow to play guitars and bongo drums and sing, "magic is our give away and magic is our song, so give away your love today and sing the whole day long.  sing the whole day lo-o-ong, sing the whole day long.  sing the whole day lo-o-ong, sing the whole day long"

slowly the old house is visited by curious shelter-seekers and a group of squatters grows.  one night a softly-treading man with a big trenchcoat and a big beard appears as i am slumbering.  he is led by german girl bea, who met him at the fire.  just then swedish tyler calls though from next room "sorry, does anybody have a spare blanket i can borrow?  i am really cold."  sure, have this jacket.  lets get a fire going.  lets make some mint tea.  we sit in silence round the fire then i look round at the new-comer.  "its you!" we suddenly exclaim.  it is cuba, with whom i spent a couple of weeks sleeping in caves and scouting for the european rainbow in romania a couple of years ago.  he has just flown from england.  he has become involved in a community in york, working with a teacher who performs ceremonies and works to create deep vibrations which will reverberate throughout the collective consciousness and further the journey of the evolution of human consciousness.   so much i am perhaps able to coherently collect from cuba's curious metaphysical hyperanalytical ramblings.   he changes personas unexpectedly in the course of a conversation.  he himself admits to having many different personas. he is capable of paying great attention to his interlocutor, and making insightful insights, of surprising sensitivity.  sometimes he simply wanders off without really ending a conversation.  other times he falls into a reflective silence.  i find cuba crazier than ever.  on that first night i listen intently, intently fishing for meaning, as he strings together curious constellations of significant-sounding words, which often then break up into convulsive cackling.   i smile at the seemingly slapdash abstract paintings cuba creates with his words, somehow resonant with their own not-quite-graspable meaning, and realise that i, in comparison, am rather attached to my goal of using words clearly and my idea that words can and should be used to convey things as clearly as possible.

cuba's question is "is this your dream?" asked with raised eyebrows and twinkling playful eyes.  he casts himself in the role of dream coordinator, making everyone's dreams align, creating perfect harmony in groups.  i am often at a loss when i hear him speak, yet my meaning-sensors prick up when he talks about being highly conscious of the transforming influence he has when he enters a group.  he sees rituals, the fire and dragon dreaming as the tools to achieve his vision for group harmony.  behind the abandoned houses is a wonderful horseshoe waterfall.  the swollen white waters crash upon huge granite boulders.  on the hillside opposite, beneath the pine trees, in the lee of a great granite rock cuba sees a perfect spot for fire ceremonies.  the strong purifying energy emanating from the water element is truly something special.  juxtaposed with a strong hot fire energy a dynamic energy flow will be produced.  i become aware that indeed the fire is a magic unifying element in a group.  everyone who comes to sit in the magic comfortable distance from the fire - not too close warm, not too far cold - finds themselves united in the magic circle of the fire's glow.  even without speaking, without any conscious intention to communicate, a magic unity is formed thanks to the fire.  cuba often designates himself as the "fire man" the one who chooses the placements of new pieces of wood and who readjusts and prods and pokes and blows flames back into life and integrates the half-burned pieces from the periphery.  i observe cuba's desire to create, to direct, to always be engaged in a conscious project and say to him "a big difference between you and i is that i am generally happy just to be, whereas you have a general desire to actively do things"

one of the songs i learned and found infectious at this rainbow goes

"i step into the flow and then i let it go i open my heart my body my soul
i surre-e-ender   i surre-e-ender   i surre-e-ender, i open my heart my body my soul"

stepping into the flow amply characterises the experience of many who come to the rainbow.  i think of one food circle where somebody started wriggling around then pulling everyone else - everyone linked by hands held - to begin a big snaking movement.  everyone allowed themselves to be pulled.  over a hundred people - normally held in a solemn circle - spontaneously snaking around - exchanging surprised smiles with those they pass.  these things just happen, and people allow themselves to be led. 

while at the rainbow i read arnaud desjardin's book l'audace de vivre.  the boldness of living.  many of his themes were pertinent to the ways of the rainbow.  he writes about . . . well, he originally delivered lectures which were later transcribed and compiled as a book . . . about the great source of energy which simply comes to us as living beings, which he calls l'elan de vivre and which is often compromised in us by our mental activities, our judgements, denials, repressions.  the biggest and best example of our elan de vivre is our sex drive which, when channeled appropriately unleashes within us an inexhaustible source of creativity and spontaneity and vital force not to mention joy.  the author attempts to offer a general commentary on the human condition, but at the same time, i spotted how his vision of things was influenced by his personal journey through life.  he admitted to growing up in a restrictive catholic environment, where sexuality was not seen as a principal life activity to be celebrated, but merely a functional process to be tolerated exclusively within a marriage.  so for the author the discovery of the importance of sex is salient. 

another idea in the book i liked is the idea that whatever happens in the world, whatever message (lets say) that comes through whatever sound or smell or vision or physical sensation (e.g. oo my leg just got caught in a manhole), instead of making the habitual response of classifying it into good or bad, etc, instead to see it as always God who is speaking (God of course in this context understood to be everything which happens)
in essence, accept everything, for any given phenomenon is always an instance of the great unclassifiable mysterious experience of being.   i quote:

ouvrez toujours, c'est toujours Dieu qui frappe, meme sous la forme d'un ennemi.  D'ou ces paroles "aimez vos ennemis", "pardonnez les offences."  ouvrez toujours.  on frappe a la porte, a la porte de votre etre, ouvrez toujours, c'est Dieu qui frappe

yes, the idea of always being open open open

yes, the idea of always affirming

yes yes yes yes yes yes

yes!


voilà another cheeky little quote i found curious:

les animaux se manifestent spontanément, le paon fait la roue, le lion rugit.  il n'y a que nous dans la nature qui nous coupons de l'énergie vitale.  imaginez un corps de ballet qui ne serait composé que d'estropiés, d'infirmes, de semi-paralysés: voilà les etres humains!


a few days ago i left the rainbow and traveled to lisbon and sintra to meet a girl who i used to know as charlène, but who now wants to be known by her spiritual name hirdenam.  she explained it to me.  hirde is sanscrit for heart, while nam means true identity, thus giving: the heart's true identity, or the true identity of the heart.  hirdenam is volunteering at a kundalini yoga ashram and says she has "found her true self" there.  i was so happy to see her looking so serene.  for years she traveled around lets say aimlessly, loving the freedom and not wanting to be tied to anything.  now she sees those years as an evasion, "almost as if it were a different life"  her old life of adventurous exploration has now given way - she talks about crystalising - to a life of discipline, getting up at half five every morning, chanting mantras with the others at the ashram, adopting postures often accompanied by brisk repetitive movements and vigorous breathing, then the chanting of the sikh scriptures before breakfast at eight.  then seva - selfless service - which often consists of cleaning, she smiles, "but i don't see it as work.  whatever you create outside of you is a reflection of what you have inside you" before she is free at three.  she has always spoken slowly, carefully chosen her words.  now i especially admire the slow tempo of soft slightly french accent, filled with the serenity of her speaking her inner truth.

"do you get on well with your parents?" i ask her.

"for a long time i resented what they weren't, instead of appreciating what they were.  i get on well with them now that i have completely accepted who they are.  i know that they can't be anything other than who they are.  before i resented that they weren't so interested in spirituality, or into culture or art.  now i realise that for some reason i chose them when i was born into this life.  before being born we choose the life circumstances that will help us to learn.  in this life i realise that i have to learn tolerance, compassion, to accept people for who they are.  my task is to reprogramme my subconscious.  i feel that in my previous life - maybe for many previous lives - i was not tolerant.  maybe some people have led a life of very strict discipline, and in their next life they choose to live hedonistically, to experience also materialism.  it may take some people many many lives before they learn.  the ultimate goal is to learn to be completely compassionate, completely loving, completely peaceful, completely non-attached to the body so that finally the soul can be free from this world, from this material dimension, to exist purely and timelessly in the spiritual realm"

i listened with rapt attention, overawed that such an extravagant spiritual stance could be held with such conviction by this self-possessed young woman.  for lunch everyone sat outside in the warm sunshine and ate delicious vegan food.  shiv charan singh is the teacher of the ashram and the one to whom hirdenam looks as to her guru.  my first thought upon seeing him was "nice beard!" hirdenam says he wouldn't have minded at all, that he has a lively sense of humour.  when i told him that i had just come from the rainbow and when hirdenam said that she went to a rainbow once but that she did not really enjoy it, shiv charan said warmly "yes, i can't see you at a rainbow"

this comment intrigued me and at the evening dinner i asked shiv what his experience of the rainbow was.  he instantly responded:  in england many years ago, lots of people taking drugs, completely lost.

it formed a notable contrast to my experience of the rainbow, but i appreciate that from the point of view of the founder of an ashram the goal of life consists of a very concentrated and dedicated spiritual search, undertaken by following a very disciplined practice, and faithfully maintaining the ancient indian traditions.   compared to this point of view the rainbow gathering is quite rightly seen as anarchy,  undisciplined chaos, a rabble of ragged hippies, a melting pot of new age trends.  i can see the validity of shiv's critique of the rainbow, but personally not being someone who upholds a rigorous discipline as a necessary or necessarily good thing, i also appreciate that precisely the anarchic lack of hierarchy of the rainbow gives the space for spontaneity, for spontaneous expression of self, for the coming together of many different people.   the rainbow is a unique social phenomenon.  it brings together a great diversity of souls and, through adhering to very simple principles and basic structures, allows the experience of unity, connectedness, family.  i recognise that i am speaking for myself, for there are as many different experiences of the rainbow event as there are participants.  and yet . . . i also recognise that group energy is incontrovertible, is manifested by incontrovertible looks in eyes.  a person's powerful presence - not to mention hug - most clearly testifying to the sheer bliss of being. everyone feels the love.  many people dance.  our harmonised omming vocal vibrations rise up high and incontrovertibly proclaim the unity of what deep down always was always is oneness, masked by the illusion of separation.  it is true that the open openness "everyone is welcome" of the rainbow credo does indeed allow for dribs drabs of murkiness to seep in, unconsciousness, low vibrations, lost souls, those who give nothing and are even unknowing of how to receive.  the rainbow thing is very close to the spontaneous pulse of life.  i do not doubt for one minute its usefulness in the great scheme of useful things.  the rainbow thing is actually quite difficult to define and the only reason i am nattering on about it at well nigh midnight is due to me having being unwittingly locked into this public library in small portuguese rural town.  the portuguese are very relaxed about things, that's one thing i'll say about them.  i think i had already began writing this blog entry when the lights went out.  i says, "ah right, must be closing soon.  someone will come and tell me when it is time to close" but no.  i kept on typing and at a certain point realised that the whole building had gone very quiet. i actually received the realisation that i had been locked in with a certain degree of inner mirth.  i am well aware of just how precious time on the internet is in my life, in all of our lives.  not to mention all the portuguese books that surround me, many of them emanating the silent whisper "read me, don't you want to read me? you will probably enjoy reading me" at this point - bang on midnight - i foresee sleep becoming more of an appetizing appeal.  moreover, somebody told me that rain has been forecast for tonight, so i am happy indeed to find myself under a roof.





a anecdote from last night/this morning: my train had just arrived in coimbra, just before night came, so i headed up the hill towards some trees where i already had spent a night on my way down to lisbon.  on the way i hang about outside a house looking for someone to ask if they can fill my water bottle.  a shiny car then rocks up.  the woman says in an american accent: you can speak english.  i tell her that i am thinking of sleeping in the woods nearby.  she says:  don't do it.  it is too dangerous.  these houses are full of junkies.  she gestures to the low quality high rise housing nearby.  and those too.  she indicates a similar sort of housing estate across the motorway.  and we are right in the middle, she says with a smirk.  she thinks and says: much better head back down into coimbra and look for a quiet place near the river.  i thank her for the water and contrariwise to her recommendation, head back to the spot nearby where i had slept peacefully before, thinking: so narrow-minded, writing off a whole housing estate as junkies.  i look across to the all the windows in all the houses and hear the shouts of children playing in the last light of evening and imagine all the lives and life stories and families growing up contained in that relatively small concrete space, whereas just across the valley, here i am preferring so much more to collect dry sticks and cook over a little fire and sleep beneath the trees and the stars of course nobody is going to disturb me here, a lot of people don't even tend to spend time in nature, that woman had a serious bourgeois complex, with one denigrating word she dismisses them all as junkies.  in the morning i am still sleeping soundly when a man walks past and says something unintelligible to me.  he comes back later and sees me preparing black tea with lemon and honey over the fire "and i thought you were a drug-addict when i first saw you lying here" he says "yes, lemon is good for us, but we who are tall and thin, we should not take too much - lemon makes you thin"  - mas falas bem portugues, he compliments me. i actually don't catch everything he says, but he is patient and explains anything i don't understand, indicating, along with a certain honest quality to his eyes, that he is capable of empathy and respectful of the worth of his fellow humans, something that is totally contradicted by his lifestyle, which he gradually got across to me while smoking a cocaine bong.  his mother is poor, there is no work.  what can you do? that's life, with a rueful smile, then silence.  he spent six and a half years in prison for robbing someone's house to fuel his drug addiction.  the government do offer help for those dependent on drugs, but it is too much effort to head down there all the time.  now he has been out of prison for a year, and is back robbing houses.  he knows it is shaky, if he gets caught again . . . he still has two more years of his previous prison sentence.  mas . . . a vida e assim.

ista nao e uma boa vida, i limit myself to saying.  he looks around at all my scattered belongings and says "espera aqui, volto em dez minutos" but the morning sun is already rising and i briskly set off walking through the countryside.   it is no wonder that many rural properties have a huge dog with a vicious snarl that seem to want to sink their teeth into me, with such property thieves on the prowl.

giovedì 3 marzo 2016

a cairngorm crossing



Little the map bears witness to the ground
When beauty is the question first in mind
Nor is the truth of Ben Macdhui found
In surveys of the hill of any kind
Saving some contoured cart that's first and last
Etched in the biting joy of mountain days
And printed in remembrance of the past.
Where is the golden crucible whose blaze
Transmutes the melting summits one by one
And mixes western magic in a sky
Lovely with flame above Leviathan
That's red with rich drops from that alchemy
Thy elixir, O Lord, we seek in vain
To turn life's image back to life again


sydney scroggie



































pretty please.  pretty photos.  pretty awesome.  the photos were all taken with brother kevin's camera device.  we went into the cairngorms looking for snow - and boy did we find it.  we found it boy.   the cairngorms are sometimes like a fragment of the arctic transposed to scotland.  the snow was falling the first day we left corrour bothy, but it was only when we got to the top of corrie odhar that the full force of the wind hit us, and dealt us mouthfuls of cold driven snow.  
we fell to our knees and had to shout to make ourselves heard.

"i say we head back to the bothy. we can try again tomorrow"
"but what if its like this tomorrow? why don't we push on now that we've started?"

 - imagine 10 miles of moine mhor battling against a stiff wind laden with snow - 

"i don't know . . . i'd rather head back to corrour, spend the rest of the afternoon by the fire then head out again fresh and early tomorrow"
"alright"
we hadn't brought ice axe or crampons; we were hoping that the snow would be kind to us.  i was cautiously kicking steps back down the lip of the corrie when kevin sat down and slowly began sliding.  i watched agape as his body built up speed hurtling all the way down till he slid to a halt quite far below.  he was okay.  he gave a whoop.  i slid down after him.  flushed with excitement, we walked back to the bothy, imagining this conversation:

"alright boys?  so you are not thinking of continuing across the moine mhor?"
"oh no, not us.  we were going to, but not in this weather.  we value our lives! we are heading back to cosy corrour"
"ah, that's a pity . . .  i have come all the way from ben macdhui . . . i caught wind of a couple of foolhardy underequipped fellows matching your description. are you sure it wasn't you?"
"no, no, its the bothy for us now . . .who are you anyway?"
"oh just another wanderer in the wilds " and then muttering to himself, "sometimes known as the grim reaper," he swaggers off.

the next day we woke to wonderful sun, a pristine blue sky, sparkling snow.  we feasted our eyes on the light show.  it was as if some snow faeries had come and lavishly sprinkled glitter everywhere.  then the clouds came and plunged us into a world of white.  it was eerie.  there were no longer any visual reference points, apart from our own boots and frosty beards and gloved hand holding a compass pointing west.   otherwise white snow at our feet, and thick white cloud all around.  it was a little bit like being blind.  my eyes desired detail, but the world gave me none.   it was like that for a couple of hours, with all our faith pinned on the blessèd compass, until we dropped down to glen feshie, and our eyes delighted again in colour and form.  it was so exciting to see the young pine trees that have sprouted all over upper glen feshie.  like the green life blood of the land, flowing and growing again and ensuring the survival of the great caledonian pine forest. maybe it is an example of what many parts of the highlands would be like if landowners reajusted their values and appreciated the land for the sake of the land instead of for the sake of deerhunting revenues.  elsewhere any young pine trees that spring up are quickly gnawed and mutilated by the unnaturally high deer population.  there is a palpable sense of peace in upper glen feshie.  a lot of the old pine trees - each one having grown into its unique gnarly self - are between two and three hundred years old.  they impart a sense of noble stability.  knobbly nobility - a knowing glance, a knowing branch - having witnessed copious wild winters and a light display lasting three centuries.





















domenica 28 febbraio 2016

alan watts' words

https://www.youtube.com/watch?v=fE5OGBjtTVU

i had been recommending this talk by alan watts to a few key people, then i listened to it again to remind myself of its content, then on my third listen i wrote down the words i found most interesting:



the theme of this seminar is how thoughts protect us from truth, and what to do about it, showing various ways in which the symbolising process which we call thinking, the use of signs, words, symbols, numbers to represent what is going on in the world of nature leads us into a curious confusion - we confuse the symbolic process with the actual world, and the temptation to do this arises from the extraordinary relative success we have had in controlling the world of nature with the power of thought but, a very strong case could be made that the entire intellectual venture of civilisation has been a ghastly mistake, and that we are now on a collision course, and that all the vaunted benefits of intelligence, technology and all that is simply going to draw the human race to an extremely swift conclusion - of course that might not be a bad thing.  i have sometimes speculated on the idea that all stars have been created out of planets, and that these planets developed high civilisations which eventually understood the secrets of nuclear energy and naturally blew themselves up, and in the process these stars flung out lumps of rock as they blew up which eventually spun around them and became planets all over again and that this is the actual method of genesis of the universe . . .

why do we have somehow distaste for a theory of time which runs in the direction of deterioration?

going up always . . . always getting better? you can't even imagine such a state of affairs . . .

one would be must happier to think that the future is simply deteriorating.   human beings are largely engaged in wasting enormous amounts of psychic energy in attempting to do things that are quite impossible.  as the proverb goes - you can't lift yourself up by your own boot straps.  all sensible people begin in life with two fundamental presuppositions; you are not going to improve the world, and you are not going to improve yourself.  you are just what you are.  and once you have accepted that situation you have enormous amounts of energy to do things that can be done.  for one very simple reason, which is that the part of you which is supposed to improve you is exactly the same as the part of you which needs to be improved.  in other words there isn't any real distinction between bad me and good I; between the higher self which is spiritual and the lower self which is animal.  its all of a piece. you are this organism, this integrated fascinating energy pattern.  if i were really smart i would lay a bet that the human race will destroy itself because in practical politics one realises that nothing is going to work out right.  i once had a terrible argument with margaret mead.  she was holding forth one evening on the absolute horror of the atomic bomb.  now everybody should immediately spring into action and abolish it.  but she was getting so furious about it that i said to her "you know you scare me because i think you are the type of person who will push the button in order to get rid of the other people who were going to push it first."  and she told me that i had no love for my future generations, no responsibility for my children, that i was the phony swami who believed in retreating from facts, but i maintain my position.  robert oppenheimer said that it is perfectly obvious that the whole world is going to hell.  the only possible chance that it might not is that we do not prevent it from doing so.  the more we try to put everything to rights the more we make fantastic messes, and it gets worse, and maybe that's the way its got to be, maybe i shouldn't say anything at all about the folly of trying to put things to right, but simply, on the principle of blake, let the fool persist in his folly so that he will become wise . . 

- would this be an argument against conservationism? (asks a member of the audience)

this is an argument against all kinds of do-gooding.  what i am saying is - don't take me too seriously - i am pitching the case for the fact that civilisation has been a mistake, that it would be much better to leave everything alone, that the wild animals are wiser than we in that they - putting it in our crude and not very exact language - they just follow their instincts.  and if a moth mistakes a flame for the signal on which it gets a mating call and flies into the flame - so what, that just keeps the moth population down.  and the moth doesn't worry, it doesn't go buzzing around in a state of anxiety . . . it doesn't think consciously about the future . . .and therefore it isn't troubled, but the species of moths goes on and on and on.  they have long since escaped from history.  they live a settled existence. . . they live the same rhythm again and again but because they don't bother to remember it consciously it never gets boring, and because they don't bother to predict they are never in a state of anxiety and yet they survive.  now we who look before and after, as emerson says, and predict and are always concerned whether this generation is going to be better or worse than the one that came before, we are tormented and we just don't realise - because of this tremendous preoccupation with time - we don't realise how beautiful we are, in spite of ourselves.  because you see the conscious radar is a trouble-shooter.  it is always on the watch out for variations in the environment which may bring about disaster and so our consciousness is from one day's end to another entirely preoccupied with time and with planning and with what has been and with what will be and since trouble-shooting is its function we then get the general feeling that man is born to trouble and we ignore in this preoccupation with conscious attention how marvellously we get on, how, for most of the time, our physical organs are in a fantastically harmonious relationship, how our body relates by all sorts of unconscious responses to the physical environment so that if you became aware of all the adjustment process that are being managed spontaneously and subconsciously by your organism you would find yourself in the middle of great music, and of course this occasionally happens.  the mystical experience is nothing other than becoming aware of  your true physical relationship to the universe.  and you are amazed, thunderstruck by the feeling that underneath everything that goes on in this world, the fundamental thing is the state of unbelievable bliss.

we might work on this possibility that civilisation is a mistake and that we have taken completely the wrong track, and should have left things to nature, as it were.  and of course this is the same problem that was brought up in the book of genesis. actually the fall of man in genesis is his venture into technology.  in the bible the hebrew words for the knowledge of good and evil are connected with technics - what is technically expeditious and what is not. when you eat of the tree of knowledge and you become as god it means you think you are going to control your own life, and god says "ok baby, you wanted to become god? you try" but the trouble with you is you got a one track mind.  to be god you got to have an infinitely many-tracked mind.  you can only think of one thing at a time.  you cannot take charge of the universe with that kind of a consciousness . . . too many variables, and our science can take care of a few variables.



there may be nothing wrong with the idea of a world, a civilisation, a culture that lives at a terrific increasing pace of change, and then explodes.  that may be okay.  my point is that if we could reconcile ourselves to the notion that that is perfectly okay, then we would be less inclined to push that button.  

and that's life.  life is simply a way of postponing death

let's say "well civilisation wasn't really a mistake  it was just as natural as anything else.  a being that exists under conditions of illusion, that imagines that its controlling its own destiny, that thinks it's capable of improving itself, and by virtue of this illusion destroys itself rapidly in an interesting way"

i am trying to express the mystical experience, and it just can't be done.  and therefore everything i am saying to you is an elaborate deception.  i am weaving all kinds of intricate nonsense patterns, which sound as if they were about to make sense, and they don't really. . .

i was talking with (somebody) who said "the trouble with you is you are all words,  why don't you practice what you preach?"  and i said "i don't preach, and furthermore don't put words down because the patterns that people make with words are just like the ferns or the patters on seashells.  they are a dance, and they are just as much a legitimate form of life as flowers"

he said, "you're impossible"

mercoledì 20 gennaio 2016

snowboarding

Hard Frost

Frost called to the water Halt
And crushed the moist snow with sparkling salt;
Brooks, their own bridges, stop,
And icicles in long stalactites drop.
And tench in water-holes 
Lurk under gluey glass like fish in bowls.

In the hard rutted lane
At every footstep breaks a brittle pane
And tinkling trees ice-bound,
Changed into weeping willows, sweep the ground;
Dead boughs take root in ponds
And ferns in windows shoot their ghostly fronds.

. . .

Andrew Young





the temperatures went down, 
and covered the land with snow.
finlay and i suddenly said: "lets go snowboarding!"
finlay had picked up a second-hand snowboard for a reasonable price.
first we showed it to the motorists, thinking that the winter sports enthusiasts would see it and pick us up, then we hid it from the motorists, thinking that thus those with small cars wouldn't be put off by its bulkiness.   the young woman who took us to glenmore lodge told us about a good place to practise - the hayfield.  it was a field with a small slope covered with snow that had been compacted by countless sledge runs.  we arrived late in the afternoon and found the place teeming with sledgers - mostly young families and many of them polish.  finlay recognised all the polish voices and i also registered a few spanish voices.  the air was filled with thrilled laughter and whoops of excitement, the whoops not specific to any language. the excited polish chatter of one young girl was broken by her warcry: snowball fight! - recently learned in a scottish school playground, i surmised.  there was a lot of snow around and not a breath of wind - so unusual for scotland.  the beautiful weather had enticed everybody to get out and enjoy the snow that weekend. it was very exciting.  finlay and i took it in turns to strap our boots into the snowboard bindings and "shred the slope"  
"men, lets shred this slope!" was the phrase we often used but in fact what we did was stand up cautiously and concentrate savagely on maintaining our balance as the snowboard slid down the slight incline.  despite it being only a small hill, it provided us with our first magical feeling of sliding over snow.  it made so much an of impression on me that as i was going to sleep that night it still felt as if i was sliding over snow.

the next day we didn't even deign to look out at the hayfield as we got a lift up to the cairngorm ski centre.  our sights were set on bigger slopes.  finlay was much pleased to find the snow deep and just the right consistency - compact enough to allow the snowboard to skim blithely across the surface, while being soft enough for the board to cut into the snow, allowing us to practise board manoeuvring and speed control.  also soft enough for us not to hurt ourselves as we fell over - which we often did.  even at speed the silky soft snow accommodated our flailing bodies and cradled us luxuriously.   beautiful wondrous snow!   one of us always waited with the rucksacks while the other one trudged high up the slope, snowboard tucked under arm then after a while came sliding down maybe cautiously and punctuated by falling over or maybe whizzing and whooping with delight while being carried smoothly quite a long way down the slope.   men, it got under our skin.  we couldn't stop saying things in a new zealand eccent.





at night we returned to nearby ryvoan bothy.  as we entered the first night we were greeted by the sight of two recumbent bodies, cocooned in their sleeping bags.  although night had not long fallen - it was six o'clock or so - the two other bothy occupants had already turned in for the night.  finlay was disinclined to speak any language other than english, saying that it was impolite to speak in a tongue unknown to all of those present, for they may feel that things are being said about them.

¿pero qué importa si estan durmiendo? - i said - ¿y como sabes que no hablan español?  a lo mejor éste - que parece estar durmiendo - nos esta escuchando cada palabra y nos entiende perfectamente porque tiene una segunda casa cerca de malaga y desde hace años pasa sus vacaciones ahi . . .

we went back to speaking in our new zealand accents, speaking in low tones.  we played a game of chess by the fire, and later also a round of five hundred, in hommage to antipodean habits. finlay bedded down, but i just couldn't get to sleep.  it wasn't a bad night to be struck with insomnia for the moon had gone down early and left a huge starry dome pulsating with unusual energy.  could this be what they call the northern lights?  finlay went out to have a look and came back saying "well, it certainly is very starry, but i don't think its the northern lights."  i put on all my layers and stood outside for a long time.  i can't remember the last time i saw the stars twinkling so vivaciously.  they were so alive!   the whole sky was alive, awash with pulsating stars.  each star had its own twinkling rhythm, obeyed its own inner light pulsation.  the overall effect was a shifting shining sky of immense effulgence.  back inside, i got the fire going and, even though it was the middle of the night, it seemed the right moment to cook our vegetarian haggis.  we did this by boiling it in the bag, the way i remember my mother doing it in earlier years.  just as finlay and i had begun tucking in, one of the other bothy users' alarm went off.   it was ian - a student from stirling university who had an ambitious day's snow-tramping ahead of him. he hoped to make the summit of braeriach and be down in aviemore in time to get the evening train.  finlay and i were eating, making appreciative mmmmm, its so tasty noises.  we asked ian if he wanted to try some, but he said, with a little chuckle, nah, not this early.  it was five am.






the last verse of andrew young's poem is the verse my dad likes the best because of its theme of hope:


But vainly the fierce frost
Interns poor fish, ranks trees in an armed host,
Hangs daggers from house-eaves
And on the windows ferny ambush weaves;
In the long war grown warmer
The sun will strike him dead and strip his armour.