giovedì 26 novembre 2015

jesus, etc

alright, but what was jesus actually hoping to achieve wandering moralising parabolising, whipping them up into an excitement of either love or hate.  an idealist!  did he really hope by saying to the people, "be nice to each other for a change," that they would change?  who may change whom?  and what of miracles?  the first and quintessential mysterymiracle is the beating heart.
Thank God for the HeartShine!  

people are people are people.  who may say the ways of the people?   the people walk in mysterious ways.  a given person may arrive at a sound moral stance through their own moral reasoning: "if someone treads on my toes, i do not like it, therefore i will not tread on other's toes, for they are just like me," or they may not

i listen to myself and am reminded of dostoievsky's ivan from the brothers karamazov, denouncing the iniquities of the inquisition, so critical, so confident that his own intellectual inquiring will tell him what's what.  i instinctively liked alosha, and the simplicity of his unquestioning faithful soul.


i met a young woman named mary bel recently and one night she surprised me by her passion when talking about the futuilty of trying to change people.  (i don't remember her exact words but the feeling they gave me:)  "take a look at the people on the street.  you have young people, old people, rich people, poor people, lonely people, rebels, immigrants, bankers, tourists, students . . . and each one inhabits their own world with their own set of values and dreams and assumptions and hopes and worries.  nothing you can say or do will influence anybody - that is unless they themselves are willing to change" - - this introduction to explain the why of her passion - - "i was married to a man with violent tendencies for eight years.  for eight years i tried to change him before i realised there was nothing i could do.  the only person that can change theirself is theirself.   many people will not change.  it is the minority of people who are concientious and self-examining and open for self-change".  she spoke as if she had to convince me of this, but as i studiously listened to her, i had to agree with every word.  the people will be as the people will be as the people will be.

"sto pensando ancora in quel uomo chi ci a sparato," disse fabri piu tarde quella notte.  "ti giuro se avevo un fucile anch'io gli avro sparato subito."

"ma, perché motivo?  capisco che puoi voler vendicarti il male che lui ti a fatto, ma alla lunga il rispondere al suo male con ancore piu male solo servirà per rinforzare quel male originale."

what is the use of trying to fight fire with fire?  who can tell what led up to that guy firing his gun at us?  maybe his wife had left him that morning.  maybe he received no love as a child, or maybe we happened upon the local mafia headman who expects always to have his way.

in any case, i pray for his soul.

tout comprendre, c'est tout pardonner

even if it does not change a jot, i pray for his soul.

martedì 3 novembre 2015

la corse

je passe si peu de temps sur l'internet ces jours je vais profiter de l'ordinateur dans cette bibliothèque avant que quelqu'un d'autre vienne (normalement c'est réservé aux membres bona fide) pour laisser quelques mots pour tenir un peu au courant aux amis à ceux qui s'intéresse sur ce que je fais pendant que je suis encore vivant avant que quelqu'un me tire un coup de feu au dos qui sait quand on va mourir ça peut se passer d'un jour a l'autre il faut en profiter la vie elle est tellement belle.

tout le monde nous a dit: les corse ils sont un peu particuliers
en mettant l'accent sur le un peu particuliers
ouais mais tout le monde est un peu particulier enfin
alors, les corses?
on a appris un peu plus sur ce que ça pourrait vouloir dire hier soir alors qu'on cuisinait des champignons sur un petit feu fait à l'abri d'un beach bar fermé près de porto vecchio.  le propriétaire arrive et, plein de colère, il nous crie:  allez vous-en vite sinon je vous tire un coup de feu - allez, un petit feu - je lui ai supplié - ça y est, je cherche mon fusil, il a dit.  un minute après - le temps de fourrer nos affaires dans les sacs a dos - il nous a tiré un coup pendant que on s'enfuyait avec la casserole encore fumante dans la main.

ma sono pazzi matti questi corsi.

moi j'en sais rien.  c'est tellement triste l'histoire de l'humanité - toutes les guerres, toutes les trahisons, napoléon, la mégalomanie.  ce monsieur qui nous a tiré dessus est comme un chien qui aboie pour protéger son territoire.  nous sommes effectivement des animaux, pourquoi en attendre de plus?

quelques soirs avant, on pensait que le monsieur rigolait quand il nous a menacé avec un coup de feu.  on s'était a peine réveillés dans son jardin quand il apparaît au balcon et nous dit: bonjour.  vous avez besoin de quelque chose? (peut-être d'un ton ironique, on sait pas, les corses ils sont particuliers) un café, dit fabrizio (toujours l'italien, toujours avec besoin d'un café le matin) alors les invectives, les menaces: vous êtes fous? j'aurais pu vous tiré un coup de feu.  attention, eh . . c'est dangereux d'entrer dans le propriété privé, surtout dans cette région.  la semaine dernière je me suis fait tiré dessus; ah oui, il y a eu plein de morts  . . . excusez-nous monsieur, j'ai protesté, nous avons rencontré céline hier sur la plage.  elle nous a dit que elle connaissait le propriétaire, qu'il n'était pas là en ce moment, qu'on pourrait dormir tranquillement dans le jardin.

c'est moi le propriétaire, il a répliqué, et je suis revenu hier soir.

roger, il nous a appris son nom .  après il s'est montré très sympathique, il nous a amené des tasses de cafés noirs, forts et chauds, il nous a donné des brioches il nous a amené quelques kilomètres pour suivre notre route.


voici un vidéo pris par délphine, une jeune très sympa qu'on a rencontré sur la plage de roccapina - réputée d'être une des plages plus belle de la corse.  c'est vrai que c'était magnifique.




en fait je sais pas comment ça marche ce truc de télécharger des vidéos; bon, voici des photos, prises aussi sur le portable de la belle délphine:


dai, è bellissima la corsica










bon, c'est l'heure de fermer.  merci, la bonne bibliothèque, pour me avoir concédé ces heures agréables ensemble avec l'internet, de permettre que ma voix atteint mes amis répandus par le monde (chapeau, internet, vous êtes magnifique) les amis, vous savez qui vous êtes.  je vous aime.

pourquoi écris-je en français alors que beaucoup de mes amis ne le parlent point?  vous comprendrez, je suis amoureux de la langue française.

d'ailleurs je recommande la série de vidéos youtube qui s'appellent nus et culottés.  ça s'agit de deux jeunes français qui partent à l'aventure sans rien, et qui sont accueillis et aidés par un tas de gens sympas le long de leur chemin.  leur histoire m'a pas mal inspiré.

mercoledì 29 luglio 2015

reflections on the rainbow

"carson" i said i was called as i arrived at the welsh rainbow near hay-on-wye.  "no you're not, you're corazon!" tooted anton, who i had met at the tenerife rainbow.  i thus realised that corazon would become my rainbow name. 

for the first few days i wasn't fully there.  i was too preoccupied by cavilating over the fate of humanity.  immediately previously i had spent feverish hours in the library in oxford going through John Gray's books Straw Dogs and The Silence of Animals, scribbling down such quotes as:


 If there is anything unique about the human animal, it is that it has the ability to grow knowledge at an accelerating rate while being chronically incapable of learning from experience 

Humans cannot live without illusions. For the men and women of today, an irrational faith in progress may be the only antidote to nihilism. Without the hope that the future will be better than the past, they could not go on.

and:

 If you believe that humans are animals, there can be no such thing as the history of humanity, only the lives of particular humans. If we speak of the history of the species at all, it is only to signify the unknowable sum of these lives. As with other animals, some lives are happy, others wretched. None has a meaning that lies beyond itself


John says that the religious idea of heaven is the same type as the liberal humanist idea of progress; both rest on the same faith that the future will be better, and - according to John, both are delusional.  John's thoughts have had the effect of giving me a jolt, widening my range of outlooks on the possible outcomes of the human situation.  i appreciate Gray's appeal for humanity to look at itself squarely in the face and seriously question our time-honoured sense of greatness and separateness from the other animals.   i can appreciate the critique of the social theorist who says: taken as a whole, humanity is pretty ignorant.  the great mass of them behave like automaton.  some may console themselves with the idea that they are free rational beings, possessing powers of rational thought and the freedom to act thereon, but in reality most human actions spring from irrational impulses, and the herd instinct.  in short the survival instinct, just like any other animal.  i admit that perhaps john gray is right - that humans delude themselves when they believe that collectively they can progress morally, eradicating the tendency for power-seekers and warmongers to rise periodically from among their numbers, peacefully settling disputes regarding the distribution of the earth's resources.  Aye, perhaps indeed the likes of the Buddah and Jesus and others who campaign for a moral revolution of the human soul are but isolated superficial waves which appear atop the great underwater body of humanity, which swells with egotistical drives and tribal mentality, and always will do.

aye, perhaps.

but who is to say for certain that there won't be a revolution of the human heart?  there certainly won't be one if everyone thinks as John Gray and gives up hope of there ever being one.

it is a tricky question because humanity is not one uniform easily definable thing.  it is a great swelling river composed of multifarious molecules, and it changes all the time; all the time there are new molecules swelling the current while others disappear.

to say that humanity is a big bunch of ignorami with delusions of rational grandeur may be a valid current description . . . but why give up the race when we've only started!  (i say we, speaking for the great intermillenial life project on planet earth; our earliest ancestors: unicellular protoplasm who first wriggled out of the ocean . . .) but really, who can tell what vast swathes of time await us befure the sun blows up.  who knows where we are going meantime?  if blake can really hold eternity in an hour, then that gives us loads of time.

to sort things out.
straighten things up.
i think a massive spiritual awakening and moral revolution is not outwith the bounds of reason.

i think that denying that we have free will is a gross lack of imagination on the part of john gray.  but maybe he was just having a laugh when he wrote that book.  maybe he merely wanted to provoke reflection among his readership.  he certainly did with me!

i had to bring these reflections to a heart sharing circle which took place around the fire one night.  in a certain way it felt contrary to the spirit of the rainbow to bring up reflections of a pessimistic nature regarding the fate of humanity.  but the heart sharing circle is all about sharing precisely what is on one's heart, so i knew it was legitimate.

the sharing circle at rainbow, i have discovered - like any act of talking or writing things down; in any case, putting it into words - is a good way of alleviating anything that may be weighing on my heart.   through listening to myself speaking or reading what i have written i engage in a process of self-listening, self-analysis and self-criticism, leading to self-adjustment and maybe even self-betterment.

just listen to yourself!

(is that really what i wanted to say?)


one day a young man named olly came to the rainbow.  he had poignant blue eyes, a celtic blonde beard and a rich mane of silky blonde hair.  he said he was from cornwall and that he had gone to scotland a few years ago to try and organise a celtic rainbow, which somehow never got off the ground.

one day olly came to the kitchen and quietly anunciated his desire to capture some of the rainbow on film, would anybody object?  at that moment most people were busy making food and the only response was a few groans and grunts, leaving olly standing there undecidedly.

a day or two later i saw olly strolling across the meadow with his camera.  i asked him how his filming was going.   he looked at me with eyes that weren't really looking at me.  i could see that his desire to make a film was talking its toll.   there was something weighing on him, preventing him from being fully present.  he spoke in subdued tones and said that he had learned that getting everyone's permission was not going to happen.  instead he was going to be stealthy - respecting anyone who downright didn't want to be filmed, but otherwise filming opportunistically.

it is a touchy subject because one of the aims of the rainbow is to get away from all technology - to leave it all behind and instead experience a pure connection with Nature.  since then i have been thinking about this topic: what is the rainbow?  why might people object to having it filmed?  i see another one of the rainbow's aims is that everyone be present.  it is all about being here now.  we come together consciously to celebrate Life.  it is all about participation, about fully being there, not only about observation.
but then what is wrong with everyone else participating and one person observing? (and what does participation mean anyway?  what is participation in life?  life is all about observation.)

i say to olly: it is an interesting topic.  i for one don't find anything reprehensible about the rainbow being filmed.  i think the world deserves to know about the rainbow.

there are already several documentaries available on youtube, says olly.

he shows me his camera.  it is very small.  along with his rucksack and other bags and pouches and holdalls hanging off his person, it could pass as simply part of his self-and-baggage ensemble.  the one thing that does not pass unperceived is the big furry microphone and this, explains olly, is the price he must pay to obtain a good sound recording.  i show to olly that i am interested in engaging in a friendly conversation and as we sit down on the grass he sets the camera atop his rucksack and indicates with a nod that he will start filming.
"so, if you want to talk a bit about rainbow, how it has changed your life?" he invites.

the last golden rays of the evening sun were streaming across the beautiful vibrant green of the meadow and the surrounding trees.  i saw that the scene was very photogenic.  i can see the worth of capturing the rainbow on film, but - as with photography - for me it is most worthy when it records a spontaneous event - a real life event as it were, not something that is self-consciously produced.   it is true that self-consciousness is a lot of what being human is all about.  it is also true that human actions are characterised by degrees of self-consciousness.  i suddenly realised that i was unable to slip into the flow, knowing that there was a camera there in front of me.  and so, wanting to be true to the moment, rather than answering olly's question, i began to discourse on why the fact of being recorded should change the feeling of that moment.  what exactly is being altered?  how might that all-seeing, all-capturing, all-recording eye device of the camera exert such power over those being observed?  pesky little camera.  obviously in one very real sense it does not change one iota.  it is always an instance of the one engaging informal Universe turning on its axes, offering up unsuspected deeply personal instances while ignominiously swallowing under others, ever about to unfold the surprises of tomorrow.

in retrospect, i don't see myself as having made ideal interview material for olly's purposes.  in any case, it wasn't long before the sun went away and i had to scamper off to put on some clothes.


often when i set about remembering recollecting reminiscing about the rainbow i am aware that i become very soft-hearted and lyrical.

wow, the rainbow is amazing!
it is an intriguing social experiment.
it is about welcoming within oneself the Kingdom of Heaven.  it is about saying heaven is here and now, never has been anything other than here and now, always will be here and now.  it is very spiritual.  it is about holding each other's hands and singing about the sacredness of life.  it is about holding our hands to the sky, recognising the sacredness of life.  sacred is a word.  what does it mean?  it means special.  or maybe it is a combination of the words very and special.

sacred is a way of seeing.
it is a value judgement.  it is a value added experience.  a loaded term.
it is an inner elation.

and the rainbow.  what is the rainbow?
the rainbow is all about freedom.  it is anarchic.  one common feature i have noted among those who frequent the rainbow is a desire not to be bound by rules, for the sake of obeying rules.  the rainbow aims to institute an ideal society where everyone is equal.  they aim to constitute an ideal family - a family not consisting of parent-child relationships, but where everyone is brother and sister.  it is all about personal responsibility.  the rainbow gives the invitation to each person to be fully themselves.  thus there can be no hard and fast rules.

there are however a certain number of practices which they call the rainbow tradition which include not consuming alcohol or drugs.   the rainbow desires that everyone be free - but the rainbow has its tradition.  this produces some interesting situations when, for example, a first-timer, unknowing of the tradition, pulls out a bottle by the fire.  at some point someone may address them respectfully:  is this your first time at the rainbow?  obviously you are free to do as you wish but i should let you know that there is the tradition at rainbow of not drinking alcohol . . . 

they say if you see something that needs done, then do it.  but they also say if you don't feel like doing it, then don't do it.  if you are hungry you might like to help to prepare food in the kitchen, but you might likewise not feel like it, and in that case other people will make food and there will be food circle all the same, maybe later, maybe earlier, maybe very carefully prepared and delicious tasting, served abundantly - second, third helpings?  or it may not be especially tasty, and maybe rather small in proportion to one's eating vessel.   it is about each person asking themselves: why am i here?  what kind of rainbow do i want to cocreate?

there is one they call Neptune - i believe because of his interest in astrology.  he seems somehow to be a celestial being.  somehow very pure, almost childlike.  he has a biblical blonde beard, and very conscientious, kind eyes.  wherever there is any music being played he will come over and dance with moderate abandon before exclaiming bless! in a surprised appreciative tone before wandering off.  well, he did that once.  a comment of his during one of the sharing circles stuck me.  he said, in his very gentle voice:  you know i have been coming to rainbow gatherings for more than twenty years and i think i know less and less what the rainbow is.

i find it curious that i have given myself over to describing the rainbow.  the rainbow is often amply characterised by The Flow.  how can one give form to the flow?  how can a definite shape be given to that which is in constant movement?

all life is movement
all life is motionless.


 - images -

images may be definite, while being fleeting.

i was following the forest path down to St Mary's well one evening.  i was with a group of others.  we were going to collect water.  a young man comes walking towards us.  he does not look like the typical rainbow type (colourful clothes, abundant hair)  he is dressed rather smartly and his hair is neatly trimmed.  perhaps he knows the others (i think) for he salutes them in turn and exchanges friendly words.  i am the last one and our curious eyes meet, sort of sizing each other.  his eyes tell me: curiosity.  joy.  my eyes tell him: complete acceptance.  we embrace affectionately then go back to looking at each other.  for some time we are absorbed in our mutual contemplation.  a few times he seems on the verge of saying something, but in the end both remain silent.  we shake our heads slightly in surprise as we part (as if to say): wow, that was amazing!  what was that?

that was a rainbow encounter


the group energy is something special.  i might have been full of solitary quietness hanging in my hammock upon the hill when i hear the call: food circle now! i walk down to the main fire and suddenly become infected by the incredibly positive vibe emanating from everyone.  they are playing music they are pattering on the feel good drums they are strumming the guitars they are doing incredible jigs of joy they are singing songs of love and joy and unity.
(there are also those who sit silently, who require personal space and alone time, maybe to process personal things.  or maybe they are not naturally given to extrovert expressions of self.  it is always about being true to oneself)

Unity.

this is the preeminent rainbow creed.  we are all one family.  it is a nice idea until you realise that it is true - that its possibly being true depends only on you.   the energy of the group is overwhelming and convincing.  it is a feeling.  of course we are all one.  it is evinced by the looks in the eyes of those who have volunteered to serve food who come round the circle with a big steaming pot of good fun love for life, salad? spicey sauce? chick peas? - ooo, yes please. they will serve you with eyes which shine with honesty and wonder and exploration.

yes, i am being romantic.  i am sifting my memories.  i am remembering The Good.

the rainbow is an incommensurable fortunate folding together of incorrigible hippies, blithely inconsiderate of the morrow.

wildly willing to leave on the eve, to weave a short sleeve
whispering rudimentary tales of wondrous wandering.

woo - woo - woo!

baying like hounds
obeying the bounds and such sounds as rebound around the brown mounds glospering there in the ground
ah, but only behold the miraculous excrescences sprouting from this very earth!
the slightest shiver in the shundergrowth
and there - a shrew! - her poignant snout poking through.

they assembled around the fire that night
bounding on the beat of happiness
we sink smoothly into the groove
every beat on the drum is played exactly on cue; everyone's hearts are beating together to the same enraptured vibration, swaying reverently, these bedraggled elvish colourful innocent introspective souls, slowly intoning chants of awe and gratitude for the ancient wisdom of the land.  now going easy on the drums and simply slowly softly intoning enraptured paeans to the Sea, which subside to stillness then follows the clear voice of a long-haired young englishman who speaks of the mystery of the invisible wind, which blows and beats, without beginning and without end.


mercoledì 10 giugno 2015

scottish scenes

jenifer told me that she was not especially looking for anything.
this instantly delighted me and i said:  i am not looking for anything either

but now, upon reflection, i realise that i must always be seeking in some way for something for my sign is to explore.


i came back to scotland to attend my grandfather's funeral.
the day of my flight i asked jenifer for her email address.
"que te voy a escribir" she said
"maybe we can meet up if you come to germany in the summer" i said.
jenifer only wants to use the internet when it is stricty necessary.  she considers the cave her home.  she talks about one day keeping bees and hens nearby.  the hens would be a good solution to the food waste question. they would simultaneously eat up all the food scraps and give eggs.  we tried to make compost of our food waste, but jenifer said that without water good compost does not form.  it merely rots, attracting rodents and flies.

friend colin and i cycled south out of glasgow.  as we were passing the square in the centre of paisley, the wind sent hundreds of pink petals into the air from the cherry trees.  at first i thought a wedding was underway.  we rode through the wind-blown blossom like through falling confetti.

with our bikes, we arrived at kilburn castle, where a musical festival was to take place.  no sooner had i arrived at the campsite when a youth approached me with a can in his hand and said,
"excuse me, did you get a lift here in a van?"
"no" i said, filled with our bike trip, and the youth strode off.
"wait a minute," said colin "do you not say you got a lift to glasgow in a van yesterday?"
"o yes," i slowly remembered, "so i did"
i strode over to where the youth was camped and it turns out it was his brother who had given me a lift, had gone out of his way to take me all across glasgow practically to colin's doorstep, had shown exemplary glaswegian friendliness to me.  i had told him that i was going to the pyschadelic forest festival, and he had told me his wee brother had gone the year before and really enjoyed it.  now his wee brother was asking me how long i would be staying in glasgow because it was their mother's fiftieth birthday next weekend and would i like to come to the party?
i found this very endearing.

colin had described the festival as alternative.  it is true that there was a friendly, relaxed atmosphere.  the castle gardens were lovely.  the castle itself rose grandly into the night, the turret walls painted ideosyncraticly in bright colours.  there were curious sculptures and decorative banners dotted around.  but everywhere were young people losing themselves on drink and drugs and in the music, and i could not help but longing for the consciousness of the rainbow gatherings, where the aim is to grow together in consciousness and responsibility.

back in buckie i found a wetsuit among my things.  this opened up the possibility of exploring the coastal waters.   without it the temperature of the north sea has me scrambling out the water after only a minute or two.  it is always refreshing to come in contact with the sea.   first there is the feeling of cold.  this must be when the blood instinctively realises that it better keep the vital organs warm, and so it retracts from the members.  then there is the wonderful feeling if said blood returning triumphantly to said members.   an energised glow.  a little story of retraction and triumphant return.   a wonderful feeling.
the wetsuit also affords a wonderful opportunity for bird watching, i realised, when i swam from portnockie to cullen beach.  near the bow fiddle rock the air around me is filled with the excited cries of seagulls.  the sky above me is crisscrossed with their flights.  kittiwakes circle curiously around the bobbing neoprene figure.  cormorants, their long necks extended like stately black geese glide low over the water and pass very close to me with slow silent flaps of their wings.

this is the time of year for incubating eggs.   after jumping off the cliff called the green castle at portnockie, i climb out the sea and scramble back up to the top of the cliff.  seagulls are wheeling all around me and i notice that their nests are dotted here and there, all containing a set of three large eggs.  they are large and beautiful, of a dark greyish green, flecked with pale grey speckles.  an idea occurs to me. "hey finlay," i call to my brother - we had just then been talking of where we could acquire some eggs locally - "what about taking these?"   there were so many of them.  finlay extracted six, emptying two nests.  i had heard that some mother birds, returning to a nest whose eggs had been tampered with, abandoned the nest entirely.  the seagulls seemed to pay no attention to us then, but a couple of weeks later i jumped off the cliff again and this time when clambouring back up the cliff the seagulls dived almost upon me, screeching, clearly wanting me to go away.  finlay assumes that this is because the eggs were a lot closer to hatching point, some of them indeed having already hatched, thus being more valuable to the seagulls.

we boiled the eggs, slightly beyond the runny yolk stage, but they were tasty, accompanied by soldiers of toast spread with marmite.   in two of the eggs small seagull embryos had already begun to form.  finlay googled this topic and, learning that in parts of asia embryos in eggs are eaten and enjoyed, we tasted them too.  their small beaks were still soft.  the young feathers i did not eat.

i first observed a certain compunction when this egg thought entered my mind.  poor seagulls!  i considered commiserating.  they want to live just as much as i do. imagine i were a mother seagull and i discovered that my whole instinctual purpose for that season had disappeared from the nest.  what a blow.  i decline to inflict that blow on poor mother seagull.
however, i overcame this compunction by reasoning that the seagull population is extremely buoyant all around the british coastline.  i know that with plants nature is often extravagant with her gifts, producing a superabundance of flowers and fruits and seeds, in the knowledge that many will be gobbled up before they reach fertile ground - if they reach fertile ground - and succeed in growing, if they are not overshadowed by the growth of other species in the earnest, unflagging game of survival.  maybe the seagulls operate by the same principal, stoically accepting that other animals may take their tasty young eggs this year, but there will always be next year - not to mention the other members of the seagull community - to keep the seagull population buoyant.



pop! - a little explosion while spinning down the road to dundonnel and finlay's inner tube had burst.  the tyre had become so thin and worn that all it took was spinning over a sharp wee stone.  dad was already quite far ahead, so i made the most audible sound i considered myself capable of - curiously consisting of a high-pitched screech - but it was to no avail.  we had brought patches for repairing punctures, but - thoughtlessly - no spanner to remove the wheel.   we decided to hide the bike in the woods and look for a spanner later.  "i can get to shenavall soon by walking over this hill," i told finlay, "you take my bike and catch up with dad and i'll meet you in shenavall tonight"

"happy navigation!" were finlay's last words as he pedalled off.

i wandered into the hills with an armful of dry branches and an old fencepost, thinking of the bothy fire and the good food to be cooked thereon.   after an hour or so i was almost at the top of the glen when i met a solitary old man.  he flashed me a keen smile, but i think it was only when he noticed my barefeet that we began talking.  finlay had recommended going barefeet across the bogs, to keep my trainers dry.  the man seemed to regard this fact with a certain respect.  however, when i told him i was heading for shenavall,  he said:

"shenavall!  you are going the opposite way.  shenavall's miles away!"
"i thought it was just over this pass . . ."
"no, this takes you to loch fannich"
when i set off i assumed i was much further along the dundonnel road than i actually was, also misled by the small scale of the northern scotland touring map i had looked at before giving it to finlay.
"you need a good OS landranger for the hills" said the man as he pulled out his and explained that i would have to go back down this glen.
"you'll never make shenavall tonight" said my benefactor candidly
"well, sometimes i surprise myself at how many miles i can cover when i am feeling fit" i confided, "besides, i have got long daylight hours on my side"
"there is no point in taking that wood any further" he stated.  i immediately dropped the armful of sticks, and let the big old fencepost fall to the ground with a squelchy thud.  it made an unusual sight at the top of the bare treeless glen.  i often am happy to haul in heavy supplies of wood to a bothy, considering myself amply compensated by the precious flames they will emit when burning.  but the man's advice was sound.  with a word of thanks i sprang off like a gazelle, now barely feeling the weight of my small pack which contained but sleeping bag, clothes and food.   i felt energised and galvanised by the thought of all the lonely miles of bog and glen ahead of me.  it was exhilarating to run barefeet across the heather, jumping over boulders and splashing across burns, not giving one whit about the wet and the flying mud, immersed in the glorious deed of the gloaming traverse of wild country.  sometimes i plunged into gloopy bogs which went up to my knees, other times i merely sank to my ankles  - one cannot tell beforehand.  i was tempted to be cautious about the slipperiness of the mud, but often hurtled on regardless, and was sometimes sent ungainly sprawling surprised to find myself suddenly making intimate contact with the soppy glop of scottish bog.
scotland is diametric to tenerife, i observed to myself.  in the west of scotland it rains so frequently that the ground is often saturated with water.  rain above, bog below, walking in scotland is connecting with the water element.  jenifer said that on average it rains eleven days a year on the south coast of tenerife - the reason for the proliferation of tourists there, seeking a guaranteed sunny holiday.   water is conspicuous by its absence in the landscape of south tenerife.  having drinking water at the cave necessitated carrying big bottles from a tap, the nearest of which was twenty minutes away.  always dry and rocky, many plants prickly and pale green, the presence of greener plants in a shaded barranco occasionally watered by rainwater was the beautiful exception.  something that struck me about the scottish highlands upon my return was how rich and dark and vibrant and beautiful the hill colours were.  my eyes had become accustomed to a brilliant sunbathed rockscape - or sunglinted seascape - very bright and very different to the deep shady hues of the highlands, laden with moisture and mystery, very dark, very beautiful.

my benefactor had told me about a bothy at the far end of loch a' bhraoin where he recommended i spend the night.  i sheltered for about an hour there as it drizzled outside.  in that lonely spot in the glen, there stood a grand two-storey house, whitewashed with freshly painted green window shutters, which was locked.  nearby was the bothy which looked like an old barn by comparison.  inside it was stocked with firelighters and wood which i used to make a wee fire and a pot of instant coffee.  i was grateful to the estate for providing such shelter.   i considered sleeping there but decided to push on to shenavall, lest my dad and brother become worried.   as evening slowly stole over the land - the dim gloaming lingering till after eleven in midsummer - i saw great herds of hundreds of red deer, who quickly moved to higher ground when they caught sight of me.

the familiar shape of shenavall finally loomed out of the darkness at the base of an teallach.  i entered the rudimentary shelter as i would a sanctuary of rest and peace.  up the wooden staircase i found my dad and brother already lying in their sleeping bags.  i lay down and felt my whole body tingling as if it were a heated engine which had just been switched off and which would take a long time before cooling down.

the body was again seen as a machine they day finlay and i cycled 100 miles home to buckie.  what gave us so much energy that day?  we arrived at muir of ord in early evening and, sitting on the pavement outside the coop, gobbled down sugary bakery items which in other circumstances would not appear to us as tasty - custard doughnuts and jam tarts, not to mention a whole jar of peanut butter and a couple of baguettes.  cycling long distances is a wonderful activity for those who enjoy eating lots of food.  tastiness is magnified as the body-machine gratefully absorbs anything of calorific value to replace that which has been so lavishly expended.   undoubtedly the strong westerly wind at our backs magnificently magnified any energy we thrust into our pedals.  sometimes it seemed like the wind was doing all the work.  "it's like riding a motorbike!" i called gleefully to finlay as we freewheeled along the beauly firth.  it was exhilarating to be swept across the kessock bridge, unable to admire the sunlight glinting off the sea, all concentration absorbed by avoiding being buffeted into the railings by the strong gusts.

it must also have been the gleaming goal of arriving home which kept us going throughout the night.   daylight had almost disappeared when we reached nairn.  we entered a bar in the hope of hearing some of the soft local accent which has come to delight our ears so much, but since not much could be heard over an electric guitar, we soon resumed our cycle.  "remember," i observed to finlay a couple of times, "tiredness can kill: take a break" but the wind was always at our backs and our body-machines did not desire rest.  between forres and elgin there were brief squalls of rain, and it was the darkest hour as we followed the country roads past fields and through woods.  after elgin it began to get light again.  by this stage we had ceased exchanging words.  we had both become part of our bikes; our bikes had become an extension of the peddling machines that we had become, our consciousnesses sleepy to all but registering the road sliding by in the early morning light.  sometimes finlay would take the lead and i would be encouraged to pedal faster to keep up, then i would make a pedalling spurt and finlay would follow suit.  other times we cycled along silently in perfect unison, eyes observing the countryside advancing effortlessly towards us and disappearing, as if it were a film.

finlay got me thinking when he came out with this:  that there is no essential difference between humans and other animals.  there are lots of people putting forward lots of different interpretations of what could be called reality, but when such an untoward assertion is made by one's brother, one feels personally challenged.  "the idea of humans becoming collectively enlightened" finlay feels "is hopeless idealism"

what! not that much different from the other animals!  but what about our rational technological prowess? what about the flights of the human soul?  our apprehension of The Beautiful and The Sublime, our Consciousness??

it is a good thing, i have realised, to have one's values and beliefs sensitively challenged lest they become mere assumptions.

what of our Free Will, the crowning jewel of being human - our capacity to choose, to desire to change, to undergo self-transformation?

finlay feels that what we commonly call free will is a lot less free than we would like to believe.  "maybe for given individuals," he concedes, "there is a certain capacity to choose and change, but most people merely obey inner urges the same as other animals.  humans are just like parasites on this planet, consuming all the resources till there are none left.  and what of human consciousness?  what do we achieve by it?  chimpanzees can also stare at their navels.  much more cruelty and warfare is perpetrated by humans than any other animal".


finlay has really made me think about this topic.   the human animal is such a curious one because a part of us is precisely that - we have animal bodies.  but - i would contend - we also have extraanimal, superanimal qualities.  but what do we actively achieve by dreaming of God?  what difference does it make if we undergo long adventurous journeys with our consciousness?   i had been entertaining notions such as that the essence of our existence was Light and Love and Joy.   we are these things incarnate.   it certainly sometimes seems a good description of being:
i am the embodiment of Joy
you are pure Light, clothed in a body.
we are Love, manifested through our human beings.
what is indisputable is that we are all governed by the animal laws of possessing a body.   the difference for the human is inner.  but.then who can tell what the inner experience of a dolphin, or a horse, or a fly is?  merely by observing their behaviour.  perhaps it is the dolphins or why not the flies who have collectively become enlightened and realised that the best thing is simply to swim around or to buzz around, and thereby experience the depth of their existence.

giovedì 9 aprile 2015

take it away, sea!

 the tide is low now, and the waves not too boisterous, allowing me to step gingerly across the spluttering volcanic rock and splash into the swim with the fishes.  the sea washed up a pair of underwater goggles one day, which allow me to see the golden, green, dark blue fishes in all their clarity.  i have a big blue bag tied round my waist which does not overly obstruct the streamline.  our plan to cover the patio outside the cave with sand motivates my good morning swim.  i emerge from the frothy waves at the hidden sandy cove where i fill the bag with sand and am almost dry by the time i balance it on my head back to the cave.   

el guanche gave me a new way of seeing the coast when he invited me to come fishing with him.  el guanche is a local man who lived in the cave years ago.  jenifer said he presented himself in a rather imposing manner when she first met him, but over time he has softened. he is full of sprightliness and is very interested in trapping wild animals and eating them.   el guanche always has bright eyes.  he says that he asks for the animal's pardon the moment before he takes its life.
what sort of animals are you looking for? i asked him as we move cautiously over the pristine rocks.
after a pause, quietly: "vamos a ver" 
questions posed to el guanche are often followed by pauses, which at times are not even broken by a response.
in the end all that was collected was a little bag of limpets, but my way of looking at the coast had genuinely been changed.   it was all about paying utmost attention, sensitively absorbing the world through my senses, allowing nothing to go by unperceived.   i follow el guanche, imitating his delicate - almost tiptoeing - gait across the rocks, eyes wide open, until he suddenly freezes and turns round to me with his finger hushing his lips.  it is all very hush hush.   crouching down, his eyes focus intently on something lurking in the shadow beneath a big rock.  he slowly hands me his hooked harpoon, and with spear in hand he lunges into the shadow, upon which we hear the scuttling of the crab retreating further into his recess.

el guanche told me that the dark red crabs do not taste so good but, if one is captured, it can be used as bait in the pools to tempt the octopi from their underwater caves.

we continue our sensory great attention paying game, absorbing all the details.   the empty red shell of a crab lying in a pool could be indicative.  el guanche gives me the spears to carry and sets about pouncing down to where there are limpets.  he strikes them off the rocks with a brusque thrust of his knife.









what i have learned from jenifer is to pay attention to the Beauty of all of nature.  for jenifer, any object of nature - a stone, a twig, a piece of moss - can be seen as an object of beauty.









jenifer says why not leave the crabs alone?
 - some of them are over fifty years old -
she says that they have become used to her and do not scuttle away now when she walks past in the morning 
they are longevous, they are noble, they are quick-witted, and they look at you keenly with their eyes.






Pepe the old fisherman sees me coming from the sea and asks: "¿viste algo?"
"si, vi un pulpo" i tell him 
i had glimpsed great tentacles curled under a stone on the bottom of the sea.
"¿intentaste agarrarle?" he asks with a smile
"no, me da miedo" i respond.
can you really catch them that way?
yes, you have to be quick.  pepe did so a couple of times in his youth - but never again!  no, they have a very strong grip.  he once got very hurt.  now he does not enter the water.  contents himself with his rod.
it would be a fascinating challenge, i muse, to pit oneself against the astuteness and the vital will to live of the mysterious tentacled ocean creature.  perhaps if i was hungry and had nothing else to eat i would be impelled to give it a go.   but, as it is, i am quite happy to not to disturb mr octopus and instead eat other things which are easier to obtain.

Pepe - the old fisherman - a life spent taking fish from the sea and eating them - does not really respond.  he invites jeni and i that night to eat shellfish paella outside his cave with him.  he tells us of the time of the Big Storm when the waves came all the way to his cave; the next day he returned to find that everything had been taken away.

was that the big storm back in november when jenifer's cave also flooded?

"no, fue en 1976" pepe says.

"el mar te da todo . . . y te lleva todo"


the sea,
a symbol of the great life-death continuum.

it gives you everything
then takes everything away











giovedì 5 marzo 2015

la pintada

jenifer says her cave used to be called la pintada, which means the painted one in spanish
jenifer and i speak always in spanish, although our conversations are often turning into a consideration of german vocabulary.
jenifer told me that she likes to be alone sometimes and i said: 
"well, if you ever want to spend time here alone just let me know" and she said
"i am happy that you are here with me"

she likes that i am painting the ceiling of the cave with a river of colours 
which come from the sea
which sighs all through the night
green vines and red hearts and rivers of yellow and clouds of pink and fountains of blue.


in the morning the crabs scuttle 
for the shelter of a rock
when i walk by.
in the afternoon jenifer shows me
the plants which dance cautiously
and stick to my finger
in the rock pool.

when isbrand visits he says 
"you have the best cave in la caleta"
he taught me the song which goes:

just for today i won't be angry
just for today i won't worry
just for today i will treat everyone as my relative and my brother
just for today i will make my living honestly
just for today i will respect all life

be impeccable with your word
don't make any assumptions
don't take anything personally
always do your best, Jah will do the rest

sang while alternating the chords of D and E minor on the guitar.

jenifer says she likes to hear me singing it in the morning
















lunedì 16 febbraio 2015

night dialogue

Beni:  Wow, i just saw a shooting star.

Jenifer: Oh, you should make a wish.

Beni: (after some hesitation) . . . i wish that you saw it too.

giovedì 5 febbraio 2015

jenifer's cave

i came out of the sea dripping that morning with so much energy that i set off running along the path that rises round the rocky coast.  even when i saw that the path ahead was blocked by slow-moving people i did not stop and instead veered left along the rocks, ready for some scrambling when i suddenly stopped above a drop overlooking a patio.  there sebastian stood smiling at me.  his unsurprised smile along with my running momentum caused me to scramble down into their patio, which was surrounded by trees and little tended cactus plants.  jenifer walked out of the cave entrance and immediately it was as if we had always known each other.  "do you live here? what a beautiful place!" i said.  jenifer invited me to have a look around the cave which we entered through a wooden doorway in the middle of a wall of piled rocks. inside the cave rock was smooth and had been painted white.  the huge smooth inner curve of the rock provided a natural sofa at the back covered with cushions.  jenifer showed me the floor she had recently made with clay and pieces of cracked pottery.  some of the pieces were very fine and shiny. through the doorway and through the window the blue sea lay glittering behind the cactus plants.  jenifer said that she had been living there for over a year and that once it rained so heavily that water came in from one side and flooded the cave and for hours she sat perched on the raised rocky sofa with all her things while outside the rain fell down in sheets and the waves crashed prodigiously.  "it was very exciting" jenifer said, "and afterwards it felt so good to go outside and dry everything under the sun"
she told me that she gets few visitors, hardly any at the beginning, although in recent times some people have come and wanted to take photos.  "just think," i said "the image of your cave could appear in an arts or lifestyle magazine"  get back to simple living in a cave by the sea on the sunny coast of south tenerife.   the place radiated a deep gently-tended calm.  everything appealed aesthetically.  a pile of little shells shone here, a mobile of feathers twirled over there "i have the feeling" i told jenifer, "that you have a magic touch.   everything you touch turns into beauty"
she told me that she had never really been settled anywhere, had always moved here and there, she spoke about growing up in india, then paraguay, and later living on an island in the north of brazil, .  when i asked how old she was first she lowered her eyes, saying softly, "you don't ask that" before saying, "thirty-five."

if i ever want to call a place home and stay in place for a long time and love a place it will be in a cave like that.  it exuded aesthetic appeal.  outside jenifer showed me bright green cocoons the size of cigars attached to the branches of the trees.  "i watch them everyday.  i am curious to see what will come out"
i felt like alice it felt like i was in wonderland.
"dein Vater kommt" announced sebastian and jenifer's father ambled in smiling bearing grilled steaks and bread and bottles of german beer.   we sat in the sunny patio and consumed them.

after he had gone i said to them, "do you think if parents always pass on their light to their children - and it is easier to hold onto the light than to lose it - then more and more light is spreading among people and humanity is bound to one day become all enlightened?"

they reckoned it was probably true too.

mercoledì 14 gennaio 2015

everything has its place

Everything is impermanent

this is a constant topic of discussion between michael and kahina.  i have not met anyone so desirous to be exclusively concerned with the present moment.  it is like they want to erase the word tomorrow from their vocabulary, from their lived experience.  if anybody mentions that word, they say,

tomorrow? i don't know
i am here and now.

when talking about the idea of knowing people, for example, they say that they know someone as soon as they meet them.  at that moment they perceive all they need to know regarding who the person is.

i find this attitude naive and at times think about challenging them, but at the same time i admire their passion.  i find it infectious and mostly end up wanting to live right in the present just like them.

they have lots of joie de vivre.  they are from france.  they are young.  i don't think they have crossed the threshold of twenty years.  they are spiritually passionate.  their have given over their lives to experiencing the tooing and froing of the material world shifting through us.  experiencing and accepting.  every thing which is experienced in the present is accepted.

first i saw them when they were sitting on the street playing the didgeridoo.  a brief flash of sunshine from kaina's eyes.  after twenty seconds i turned around and returned to feel more of their warm sunshine.  we sang together the french version of "the bare necessitites"   while i played the ukulele

il en faut peu pour etre heureux, vraiment tres peu pour etre heureux 
il faut se satisfaire du necessaire
un peu d'eau fraiche et de verdures
que nous prodigue la nature
quelques rayons de miel et du soleil

it really takes very little to be happy

over time those groovy seventh chords got under our skin and with our hearts we sang out the message of simple happy living in nature.

next i bumped into them on new years eve in the park.  they had hung up their hammocks and installed a large matress in one of the trees, upon which i slept that night.  gil was with them.  

every thing has its place
and every place has its thing

gil told me this was something his chemistry teacher used to say.

some days later i bumped into gil at the marina.  at that moment he too was looking for sailing boats for crossing the ocean.  the rain came pouring down and our plan to sleep out on the beach turned into sheltering under the palm leaf caban.  when michael and kahina turned up the next day, we gradually set about building our scara brae dwellings, heaving large black glistening porous volcanic rocks from the seafront to construct semicircular windbreaker walls and a sheltered spot for the fire.  

everything finds its place.
a big log came floating from the sea
and gave us a seat by the fire
our energies, our intentions, our eager aliveness 
mingled and rose up
alert
curious
what will happen before the next inbreath?
my heart beats
the sea is always there
providing us with voluptuous pebble-churning breakers
flying white froth
catching my breath.
or gentle little swells
beyond which 
you float into the glistening expanse

i  you  we
i
return to the fire
and a cup of hierba mate
and who knows who had just returned from a tour around town?
bringing back fruit and bread and waist coats and triangular pirate hats and who knows what else among the masses of unwanted objects which the masses of people call rubbish.  
trash.
my heart tightens with uneasy resignation
when i see with how much non-love
the people throw around the unwanted things of the world
every day
the containers end up overflowing with stuff.
why are these objects produced in the first place if so shortly after they are discarded?
it is not funny.
television sets and
countless brand new leather boots
i could adorn myself with a smart new outfit every day
just by rummaging in the waste containers
of santa cruz de tenerife.

instead, let us love the Earth and all of her objects
the concepts rubbish waste unwanted need not exist
let us let everything be natural
let us live simply

my voice is earnest
but it is a small voice amid all those buzzing with runaway consumerism


give your love to anything and it will give its love to you in return.

i realise the truth of this
as i whisper "ciao bella" to my lover the moon
la luna radiates coyly on high
"it is so good to see you tonight" i confide to her ecstatically
"you are so beautiful"
while she radiates back to me her tender ancient love.

local resident alberto likes to talk about spirituality with us.   i think he considers himself a sort of father or grandfather or guru of ours.  he comes in the evening with a bag of oranges and 5 litres of drinking water.  the topic he constantly returns to is the heart.
living from the heart.   love.   sharing.   unity.
he says that we have formed a sangha.  he says that this words is sanskrit and means community.  one evening he decides to spend the night with us.  he does not have a sleeping bag so we give him a spare blanket and he lies close to me to keep warm.  he suggests that we sleep with our heads pointing north and our feet pointing south.  in the morning i ask him why.  he talks about the strong energy currents flowing between the poles and how aligning one's body with these produces a more restful sleep.
a sleep.
asleep.

other people are interested in our beach community.  vladko from estonia joined us and we busied to and fro, gathering stones to add a little semicirulcar wing for him.  aitor from barcelona came one night.  he had arrived in tenerife that day in an airplane.  alberto saw his rucksack bobbing along the street and invited him to visit.  the next morning at first light he was off, full of Wanderlust for exploring the island by foot.

from the high path they take photos of the flower mandala we have designed with stones.  pillars of balancing stones placed in strategic positions rise to the sky.  every time i catch sight of one of those pillars over my shoulder i feel the presence of a real person.  they take photos of the LOVE we have spelled out on the sand with stones.  we wave to them and they wave back.  

the night guard in the adjacent private park can sometimes be seen standing silently observing us.  more than once he called out:  "put out that fire or i will call the police."     one night the police came and observed us with curiosity.  they mumbled "no fires."   they were curious.

our fluid happenstance flow was interrupted by bruno's arrival last night while we were sleeping.  he woke me up by striking me with a foam stick and giving me roguish shakes all over.  i could see that he was burning with some sort of inner excitement, but i couldn't help but frown at his disrespect for those who have already given themselves over to the sweet embrace of sleep.  the next morning we saw that he had burned all the wood we had collected, given our food to his dog, messed up our mandala and had even gone as far as using all our olive oil to produce big flames.   as the morning wore on, i stressed to him how disrespectful his behaviour had been, but his only response was an exasperated,
"i know, how many times do you have to say that? i have already said sorry"

young local resident bruno was the one who made the first little stone shelter on the beach about a week ago.  at that time i was sleeping alone on the nearby hill under the palm trees.  it was only when i met gil that we came to enlarge the beach dwelling and allow our residence to settle there.  bruno, however - despite welcoming our company - felt that that beach dwelling was his idea.  he wanted the liberty of living the way he wanted on his beach.


"i don't understand why he did that"  said gil.

a moment of silence

"maybe it was to keep us permanently aware of the impermanence of everything"

"we are thinking of leaving today" i inform alberto.

"speak to bruno," urges alberto.  "he has a big heart, but he is like a little child.  he still has a lot to learn.  he could learn a lot from you if you stay"

"we are travellers," i say, "sooner or later we would be moving on anyway"

before we leave, gil can be seen sitting and talking with bruno.

later gil tells me that bruno admitted to having taken cocaine that night.

i was almost glad to receive that explanation.  to know that such disrespectfulness was not bruno's natural state.